The Circle: A Comedy in Three ActsMaugham, W. Somerset (William Somerset)
General
The Circle: A Comedy in Three Acts
Maugham, W. Somerset (William Somerset)
Adultery -- Drama; England -- Social life and customs -- Drama; Intergenerational relations -- Drama
TEDDIE. Oh, but I love it out there. England's ripping to come back
to, but I couldn't live here now. It's like a woman you're desperately
in love with as long as you don't see her, but when you're with her
she maddens you so that you can't bear her.
ELIZABETH. [_Smiling._] What's wrong with England?
TEDDIE. I don't think anything's wrong with England. I expect
something's wrong with me. I've been away too long. England seems to
me full of people doing things they don't want to because other people
expect it of them.
ELIZABETH. Isn't that what you call a high degree of civilisation?
TEDDIE. People seem to me so insincere. When you go to parties in
London they're all babbling about art, and you feel that in their
hearts they don't care twopence about it. They read the books that
everybody is talking about because they don't want to be out of it. In
the F.M.S. we don't get very many books, and we read those we have
over and over again. They mean so much to us. I don't think the people
over there are half so clever as the people at home, but one gets to
know them better. You see, there are so few of us that we have to make
the best of one another.
ELIZABETH. I imagine that frills are not much worn in the F.M.S. It
must be a comfort.
TEDDIE. It's not much good being pretentious where everyone knows
exactly who you are and what your income is.
ELIZABETH. I don't think you want too much sincerity in society. It
would be like an iron girder in a house of cards.
TEDDIE. And then, you know, the place is ripping. You get used to a
blue sky and you miss it in England.
ELIZABETH. What do you do with yourself all the time?
TEDDIE. Oh, one works like blazes. You have to be a pretty hefty
fellow to be a planter. And then there's ripping bathing. You know,
it's lovely, with palm trees all along the beach. And there's
shooting. And now and then we have a little dance to a gramophone.
ELIZABETH. [_Pretending to tease him._] I think you've got a young
woman out there, Teddie.
TEDDIE. [_Vehemently._] Oh, no!
[_She is a little taken aback by the earnestness of his disclaimer.
There is a moment's silence, then she recovers herself._
ELIZABETH. But you'll have to marry and settle down one of these days,
you know.
TEDDIE. I want to, but it's not a thing you can do lightly.
ELIZABETH. I don't know why there more than elsewhere.
TEDDIE. In England if people don't get on they go their own ways and
jog along after a fashion. In a place like that you're thrown a great
deal on your own resources.
ELIZABETH. Of course.
TEDDIE. Lots of girls come out because they think they're going to
have a good time. But if they're empty-headed, then they're just faced
with their own emptiness and they're done. If their husbands can
afford it they go home and settle down as grass-widows.
ELIZABETH. I've met them. They seem to find it a very pleasant
occupation.
TEDDIE. It's rotten for their husbands, though.
ELIZABETH. And if the husbands can't afford it?
Public-domain text, read in full here on John Shaqi.
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