Whom would Little Gabe choose? became at once a question of solemn import to every young woman of the company; for even girls in linsey are not free from that liking for a fop, so often seen in ladies better dressed. In her heart nearly every young woman wished that Gabe would choose herself. But Gabe was one of those men who, having done many things by the magic of effrontery, imagine that any thing can be obtained by impudence, if only the impudence be sufficiently transcendent. He knew that Miss Lumsden held herself aloof from the kissing-plays, and he knew equally that she looked favorably on Morton Goodwin; he had divined Morton's struggle, and he had already marked out his own line of action. He stood in quiet repose while the first two stanzas were sung. As the third began, he stepped quickly round the chair on which Jemima Huddleston sat, and stood before Patty Lumsden, while everybody held breath. Patty's cheeks did not grow red, but pale, she turned suddenly and called out toward the kitchen: "What do you want? I am coming," and then walked quietly out, as if unconscious of Little Gabe's presence or purpose. But poor Little Gabe had already begun to kneel; he had gone too far to recover himself; he dropped upon one knee, and got up immediately, but not in time to escape the general chorus of laughter and jeers. He sneered at the departing figure of Patty, and said, "I knew I could make her run." But he could not conceal his discomfiture. [Illustration: LITTLE GABE'S DISCOMFITURE.] When, at last, the party broke up, Morton essayed to have a word with Patty. He found her standing in the deserted kitchen, and his heart beat quick with the thought that she might be waiting for him. The ruddy glow of the hickory coals in the wide fire-place made the logs of the kitchen walls bright, and gave a tint to Patty's white face. But just as Morton was about to speak, Captain Lumsden's quick, jerky tread sounded in the entry, and he came in, laughing his aggravating metallic little laugh, and saying, "Morton, where's your manners? There's nobody to go home with Betty Harsha." "Dog on Betty Harsha!" muttered Morton, but not loud enough for the Captain to hear. And he escorted Betty home. _CHAPTER III._ GOING TO MEETING. Every history has one quality in common with eternity. Begin where you will, there is always a beginning back of the beginning. And, for that matter, there is always a shadowy ending beyond the ending. Only because we may not always begin, like Knickerbocker, at the foundation of the world, is it that we get courage to break somewhere into the interlaced web of human histories--of loves and marriages, of births and deaths, of hopes and fears, of successes and disappointments, of gettings and havings, and spendings and losings. Yet, break in where we may, there is always just a little behind the beginning, something that needs to be told.