The circuit rider : $b A tale of the heroic ageEggleston, Edward
History
The circuit rider : $b A tale of the heroic age
Eggleston, Edward
Christian fiction; Circuit riders -- Fiction; Social problems -- Fiction; West (U.S.) -- History -- 19th century -- Fiction
As he steps into Captain Lumsden's yard that Autumn afternoon, he is
such a man as one likes to see: quite six feet high, well made,
broad, but not too broad, about the shoulders, with legs whose
litheness indicate the reserve force of muscle and nerve coiled away
somewhere for an emergency. His walk is direct, elastic, unflagging;
he is like his horse, a clean stepper; there is neither slouchiness,
timidity, nor craftiness in his gait. The legs are as much a test of
character as the face, and in both one can read resolute eagerness.
His forehead is high rather than broad, his blue eye and curly hair,
and a certain sweetness and dignity in his smile, are from his
Scotch-Irish mother. His picturesque coon-skin cap gives him the
look of a hunter. The homespun "hunting shirt" hangs outside his
buckskin breeches, and these terminate below inside his rawhide boots.
The great yellow dog, Watch, knows him well enough by this time, but,
like a policeman on duty, Watch is quite unwilling to seem to neglect
his function; and so he bristles up a little, meets Morton at the
gate, and snuffs at his cowhide boots with an air of surly vigilance.
The young man hails him with a friendly "Hello, Watch!" and the old
fellow smooths his back hair a little, and gives his clumsy bobbed
tail three solemn little wags of recognition, comical enough if
Goodwin were only in a mood to observe.
Morton hears the hum of the spinning-wheel in the old cabin portion
of the building, used for a kitchen and loom-room. The monotonous
rise and fall of the wheel's tune, now buzzing gently, then louder
and louder till its whirr could be heard a furlong, then slacking,
then stopping abruptly, then rising to a new climax--this cadenced
hum, as he hears it, is made rhythmical by the tread of feet that run
back across the room after each climax of sound. He knows the quick,
elastic step; he turns away from the straight-ahead entrance to the
house, and passes round to the kitchen door. It is Patty, as he
thought, and, as his shadow falls in at the door, she is in the very
act of urging the wheel to it highest impetus; she whirls it till it
roars, and at the same time nods merrily at Morton over the top of
it; then she trips back across the room, drawing the yarn with her
left hand, which she holds stretched out; when the impulse is
somewhat spent, and the yarn sufficiently twisted, Patty catches the
wheel, winds the yarn upon the spindle, and turns to the door. She
changes her spinning stick to the left hand, and extends her right
with a genial "Howdy, Morton? killed some turkeys, I see."
"Yes, one for you and one for mother."
"For me? much obliged! come in and take a chair."
"No, this'll do," and Morton sat upon the doorsill, doffing his
coon-skin cap, and wiping his forehead with his red handkerchief.
"Go on with your spinning, Patty, I like to see you spin."
"Well, I will. I mean to spin two dozen cuts to-day. I've been at
it since five o'clock."
Public-domain text, read in full here on John Shaqi.
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