Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
“We are going to exchange information,” he said “I am going to tell you
that, when you tell me what you picked up in the tulip bed.”
We looked steadily at each other: it was not an unfriendly stare; we
were only measuring weapons. Then he smiled a little and got up.
“With your permission,” he said, “I am going to examine the card-room
and the staircase again. You might think over my offer in the
meantime.”
He went on through the drawing-room, and I listened to his footsteps
growing gradually fainter. I dropped my pretense at knitting and,
leaning back, I thought over the last forty-eight hours. Here was I,
Rachel Innes, spinster, a granddaughter of old John Innes of
Revolutionary days, a D. A. R., a Colonial Dame, mixed up with a vulgar
and revolting crime, and even attempting to hoodwink the law! Certainly
I had left the straight and narrow way.
I was roused by hearing Mr. Jamieson coming rapidly back through the
drawing-room. He stopped at the door.
“Miss Innes,” he said quickly, “will you come with me and light the
east corridor? I have fastened somebody in the small room at the head
of the card-room stairs.”
I jumped! up at once.
“You mean—the murderer?” I gasped.
“Possibly,” he said quietly, as we hurried together up the stairs.
“Some one was lurking on the staircase when I went back. I spoke;
instead of an answer, whoever it was turned and ran up. I followed—it
was dark—but as I turned the corner at the top a figure darted through
this door and closed it. The bolt was on my side, and I pushed it
forward. It is a closet, I think.” We were in the upper hall now. “If
you will show me the electric switch, Miss Innes, you would better wait
in your own room.”
Trembling as I was, I was determined to see that door opened. I hardly
knew what I feared, but so many terrible and inexplicable things had
happened that suspense was worse than certainty.
“I am perfectly cool,” I said, “and I am going to remain here.”
The lights flashed up along that end of the corridor, throwing the
doors into relief. At the intersection of the small hallway with the
larger, the circular staircase wound its way up, as if it had been an
afterthought of the architect. And just around the corner, in the small
corridor, was the door Mr. Jamieson had indicated. I was still
unfamiliar with the house, and I did not remember the door. My heart
was thumping wildly in my ears, but I nodded to him to go ahead. I was
perhaps eight or ten feet away—and then he threw the bolt back.
“Come out,” he said quietly. There was no response. “Come—out,” he
repeated. Then—I think he had a revolver, but I am not sure—he stepped
aside and threw the door open.
Public-domain text, read in full here on John Shaqi.
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