Country homes -- Fiction; Middle-aged women -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
Liddy, who seemed to be never more than ten feet away from me that
night, and was afraid of her shadow in that great barn of a place,
screamed a little, and turned a yellow-green. But I am not easily
alarmed.
It was entirely in vain; I represented to Thomas that we were alone,
and that he would have to stay in the house that night. He was politely
firm, but he would come over early the next morning, and if I gave him
a key, he would come in time to get some sort of breakfast. I stood on
the huge veranda and watched him shuffle along down the shadowy drive,
with mingled feelings—irritation at his cowardice and thankfulness at
getting him at all. I am not ashamed to say that I double-locked the
hall door when I went in.
“You can lock up the rest of the house and go to bed, Liddy,” I said
severely. “You give me the creeps standing there. A woman of your age
ought to have better sense.” It usually braces Liddy to mention her
age: she owns to forty—which is absurd. Her mother cooked for my
grandfather, and Liddy must be at least as old as I. But that night she
refused to brace.
“You’re not going to ask me to lock up, Miss Rachel!” she quavered.
“Why, there’s a dozen French windows in the drawing-room and the
billiard-room wing, and every one opens on a porch. And Mary Anne said
that last night there was a man standing by the stable when she locked
the kitchen door.”
“Mary Anne was a fool,” I said sternly. “If there had been a man there,
she would have had him in the kitchen and been feeding him what was
left from dinner, inside of an hour, from force of habit. Now don’t be
ridiculous. Lock up the house and go to bed. I am going to read.”
Illustration:
But Liddy set her lips tight and stood still.
“I’m not going to bed,” she said. “I am going to pack up, and to-morrow
I am going to leave.”
“You’ll do nothing of the sort,” I snapped. Liddy and I often desire to
part company, but never at the same time. “If you are afraid, I will go
with you, but for goodness’ sake don’t try to hide behind me.”
The house was a typical summer residence on an extensive scale.
Wherever possible, on the first floor, the architect had done away with
partitions, using arches and columns instead. The effect was cool and
spacious, but scarcely cozy. As Liddy and I went from one window to
another, our voices echoed back at us uncomfortably. There was plenty
of light—the electric plant down in the village supplied us—but there
were long vistas of polished floor, and mirrors which reflected us from
unexpected corners, until I felt some of Liddy’s foolishness
communicate itself to me.
Public-domain text, read in full here on John Shaqi.
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