I am glad that you are so forgiving as to be willing to have me at Campion on the twenty-sixth. Unless I am commanded to the contrary, I will give "The War and the Poets" at the College and "Francis Thompson" at the Convent. "The War and the Poets" does not get the goats of hyphenates of any sort--I gave it in Toronto and in Notre Dame. Also I will read some of my own stuff, new and old, at both of these lectures unless forcibly prevented. The two lectures on poetry, "The Ballad" and "The Sonnet," were given at New York University, and were to have been parts of a book on the art of versification, which the University, I believe, was to publish. In the manuscript of these lectures we find such phrases as "this book," and Joyce referring to himself here as "the author of a textbook." The lecture "The Ballad" as here printed is incomplete, as the typewritten copy of the manuscript which came into my hands, and which is the only copy I know to be in existence, ends thus: I will call the reader's attention to the work of some of the poets who, in our time, have been proving the falsity of Sir Arthur Quiller-Couch's statement that These lectures on poetry are admirably adapted to their end. They are addressed to the student, especially "the apprentices of the craft of verse making." They are devoted altogether to historical and technical matters. And in the earnestness of his conception of his task here as the author of a textbook, Joyce has very rigorously excluded anything which could possibly be fancied as flippant. Just as sternly has he refrained from allowing to enter his discourse any particle of color of religious bias. He has not, however, in the slightest permitted his independence of judgment to be subdued in his interpretation of purely literary points. So these lectures do not lack for vitality, and exhibit again, in a less known manner of his writing, his exceptional clarity of style. As in his life, so in his writings. Joyce moved in many circles, and though always quite himself, so did he, too, always fit where he found himself. An exceedingly active professional writer, he was called upon to write for various audiences. When he was entrusted with writing the articles on Madison Cawein, Francis Thompson, John Masefield, and William Vaughn Moody for "Warner's Library of the World's Best Literature," and when he was invited to contribute the introductory essay to Thomas Hardy's novel "The Mayor of Casterbridge" in "The Modern Library," he was to address a more or less popular audience of general character, and he did that with ability and distinguished literary tact.