The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
It is not (as some pessimists who never went to a circus would have us
believe) the expectation that the performer will fall and be dashed to
pieces that makes people enjoy a dangerous act. People are like that
only in the novels of D. H. Lawrence and the merry pastoral ballads of
John Masefield. The circus audience gets its pleasure chiefly from its
wholly illogical belief that the performer will not fall and be dashed
to pieces; that is, from the exercise of faith. The audience enjoys its
irrational faith that Mme. Dupin will safely accomplish the irrational
feat of hanging by her teeth from a wire and supporting the weight of
all the gold and pink persons who theoretically constitute her family.
They enjoy the exercise of this faith, and they enjoy its justification.
They really believe, just because a particularly incredible-looking
poster tells them so, that there are in the side-show a man with three
legs, a woman nine feet tall, and a sword swallower. They give up their
money gladly, not to find that the poster was wrong, but because they
have faith that it is right. There are no rationalists at the circus.
The audience has faith, and the performers--where would they be without
it?--in small fragments, red and white on the tanbark floor. "If the
sun and moon should doubt," remarked William Blake, "they'd immediately
go out." If the lady who rides the motor cycle around the interior of
the hollow brass ball, or the gentleman who balances a pool table, two
lighted lamps and a feather on his left ear should doubt, they would go
out just as promptly. The Peerless Equestrienne believes that she will
land on her feet on the cantering white horse's broad rosined back after
that double cart-wheel. By faith the walls of Jericho fell down. By
faith the Eight Algerian Aerial Equilibrists stayed up.
You may, of course, try this on your son. As he absorbs the strawed
grape juice (degenerate substitute for the pink lemonade of antiquity!),
munches the sibilant popcorn and the peanuts which the elephants
declined, you may pour into his ears this disquisition on the
religiosity of the greatest show on earth. In fact, the best time to
preach to a child is while he is staring, with eyes as round as the
balloons he is soon to acquire, at the splendors of the three rings. For
then there is not the slightest chance of his answering you back, or
hearing you.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account