The Circus, and Other Essays and Fugitive PiecesKilmer, Joyce
History
The Circus, and Other Essays and Fugitive Pieces
Kilmer, Joyce
American essays; Literature -- History and criticism
It may be that this square of Japanese embroidery, on which fantastic
knights thrust tremendous javelins at red and green dragons under
astonished willows, was made in Paterson, N. J. What of that? The colors
are not therefore less bright. James is not a purchaser, he is merely a
spectator of the greatest raree-show in the world. It is well for him to
be deceived in the splendors displayed before him. Not so many years ago
he would prefer a red glass ball to the Kohinoor and a hand organ with a
monkey to a piano with Paderewski. James yet retains a receptivity
almost infantile; but it would pain him to be told so.
They are not gregarious, at noon, these young discoverers of New York.
They are selfish in their adventuring, for a vision shared is only half
a vision. James, I know, is annoyed when he finds an acquaintance
gobbling a sandwich at his luncheon counter or staring in a jeweler's
window that he has come to regard as his own private property. On
Sundays he is sociable enough; he is glad of a companion on his journeys
across and up and down Manhattan, among the Italians and negroes of the
upper west side, through the loud ghetto and speciously weird Chinatown,
in the deliberate sylvanity of Central Park and the Bronx Gardens. In
the evening, too, he is not at all a recluse. But at noon he has no
appetite for conversation; he would not have his attention taken from
the strange streets by an accustomed human being.
James has never ridden on a London bus, yet I believe in the truth of
his unspoken thought, that a Fifth Avenue bus is the most excellent
vehicle in the world. The London bus depends for its charm on a number
of non-essential qualities; on the humor of its driver (are the
chauffeurs of London's electric buses also masters of epigram?), on the
quaintness and antiquity of the thoroughfare, on the military efficiency
of the traffic policemen, on the philmayishness of the passengers. The
Fifth Avenue bus has one reason for existence: it shows its passengers
Fifth Avenue. No bus can do more.
So one may (if one is young enough to be so foolish and so wise) ride,
like the Gaikwar of Baroda in his swaying howdah, high above the people
for a golden hour. He may start at uneasy Washington Square, where
ancient respectability wars with young bohemianism. Soon he looks down
on the throngs of new Americans that tramp the once proud pavement. From
his high seat he sees them, the small, dark men and women who, like him,
are for a time released from labor. They move slowly in great crowds,
they eat frugal meals, the wares of curb-side peddlers, they talk and
gesture incessantly. What does James think of them? I do not believe
that his opinion is worth knowing.
Public-domain text, read in full here on John Shaqi.
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