A great, wide door divides the front of grey stone, up to which lead
steps from the pathway--steps, in the crevices of which a patch of green
lies here and there in a perfect harmony of contrast to the well-worn
slabs. This door is always closed and, with no windows on either side,
only the broad stretch of masonry, there is a stern appearance about the
place, suggesting a prison or a barracks in its almost forbidding
aspect. But when once that wide, wooden gate is opened, the absence of
windows upon the ground floor is partly explained and the mind is caught
in a breath of enchantment. It does not give entrance to a hall, but to
an archway--an archway tunnelling under the house itself, at the end of
which, through the lace-work of wonderful wrought-iron palings, you see
the fairy-land of an old Italian garden, glittering in the sun.
The shadows that lie heavily under the archway only serve to intensify
the brilliance of the light beyond. Colours are concentrated to the
essence of themselves and the burst of sunshine, after the darkness,
brings a haze, as when you see the air quivering over a furnace.
But, having gained entrance and passed that doorway, you are not yet
within the house. On either side of this cool damp tunnel, making way
to the right and left on the palace, which is divided into two houses,
there are smaller archways cut into the wall. Taking that on your left,
and before your eyes have grown accustomed to the confusion of lights
and shadows, you might think it was a passage burrowing down into some
secret corners of the earth. Your feet stumble, you feel your way,
fingers touching the cold walls, suddenly realising that there are steps
to mount, not to descend and, groping onwards, you reach another door
confronting you impassably in the blackness.
There is a bell here, but it is by chance you find it--a long chain,
like that at a postern gate, which depends from somewhere above your
head. As you pull it, there is a clanging and a jangling quite close to
your ear, shattering in a thousand little pieces the stillness that
reigns all round.
After a moment or so, a small door opens within the bigger door, a
curtain is pulled and, stepping through the tiny entrance for which your
head must be bent low, you find yourself in a vast, big room--a room
stretching from back to front of the whole house--a room that makes the
meaning of the word palace seem justified a thousand times.
At either end are windows, so broad, so high, that the great stretch of
this vast chamber, with its lofty ceiling, is flooded by one swift
stream of light. Upon the polished floor of wood, the generous sunlight
is splashed in daring brightness, throwing all near it into comparative
shade, yet reflecting from the shining surface of the ground a glow that
fills the air with a mist of light.
Public-domain text, read in full here on John Shaqi.
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