There was the Dresden figure the lady had mentioned. Ah! No wonder that
he asked a large price for it! They had one just like that at the
_Palazzo Capello_. His father had often said that if he could get a
pair of them, they would be almost priceless. Supposing he bought it for
his father? Would it be cruel to the old gentleman inside? Perhaps, if
he knew that it was to make a pair, he would be more reconciled to its
loss.
John waited patiently, gazing about him until the ladies should come out
and leave the field free for him to make his study--his study in a
colour of brown.
Presently the draperies in the back of the window were pulled aside. An
old man leaned forward, hands trembling in the strain of his position,
reaching for the Dresden figure. John bit on the exclamation that rose
to his lips.
It was his father! Had he seen him? No! He slipped back again into
the darkness of the shop and the brocades and the tapestries fell
together once more into their place as though nothing had happened.
What did it mean? Was it true? With an effort, he held back from his
inclination to rush into the shop, making sure of the reality of what he
had seen. If it were true, then he knew that his father had not meant
him to know. If it were true, he knew what the pain of such a meeting
would be.
Crossing to the opposite side of the street, he tried to peer in through
the shop door; but there was that clear-cut ray of sunshine on the step,
barring the entrance. Only vaguely, like dim, black shadows on a deep
web of gloom, could he see the moving figures of the two ladies who had
entered. On an impulse, he turned into the magazzino by which he was
standing.
Who was the owner of the curio shop on the other side? They did not
know. What was his name? They could not say? Had he been there long?
Not so very long. About a year. He was an Englishman, but he spoke
Italian. He lived in Venice. They had heard some say in the _Rio
Marin_. He was not used to the trade. It was quite true that he did
not like to sell his things. They had been told he was a painter--but
that was only what people said.
That was sufficient. They needed to say no more. This answered the
questions that John had put that morning to his mother. His father
could no longer sell his pictures. In a rush of light, he saw the whole
story, far more pathetic to him than he had imagined with his study in
brown.
Public-domain text, read in full here on John Shaqi.
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