One by one, they were selling the treasures they had collected. Now, he
understood the meaning of those empty night-caps which Claudina carried
away with her every evening. They said the things were broken; they had
said it with nervous little glances at each other and then at Claudina.
At the time, he had read those glances to mean that it was Claudina who
had broken them. But no--it was not Claudina. This was the work of the
heavy, the ruthless hand of cruel circumstance in which the frailest
china and the sternest metal can be crushed into the dust of
destruction.
In a moment, as it was all made clear, John found the tears smarting in
his eyes. As he stood there in the little shop opposite, he painted the
whole picture with rapid strokes of the imagination.
The day had come when his father could no longer sell his pictures.
Then the two white heads had nodded together of an evening before
Claudina came in with the night-caps. More emphatically than ever, they
had exclaimed--"You don’t mean to say it’s ten o’clock, Claudina?" And
Claudina, laying the box on the table, beginning to take out the
night-caps and place forth the treasures before she tucked them up,
would vouchsafe the answering nod of her head. At last, one evening,
watching the Dresden figure being put to bed, his father had thought of
the way out of the difficulty.
They had not decided upon it at once. Such determinations as these come
from the head alone and have to pass before a stern tribunal of the
heart before license is given them. He could just imagine how bitter a
tribunal that had been; how inflexibly those two brave hearts had sat in
judgment upon so hard a matter; how reluctantly in the end they had
given their consent.
Then, with the moment once passed, the license once granted, John could
see them so vividly, questioning whether they should tell him, their
decision that it would not be wise, his father fearing that it would
lessen his esteem, his mother dreading that he would feel called upon to
help them. Finally, that first day, when the Treasure Shop had been
opened and his father, the artist, the man of temperament, with all the
finest perceptions and sensibilities that human nature possesses, had
gone to business.
So truly he could see the moment of his departure. Nothing had been
said. He had just taken the little old white-haired lady in his arms
and kissed her. That was all. It might have been that he was merely
going out, as he had quietly said that morning, to see about the framing
of a picture. No one would ever have thought that he was about to pass
through the ordeal of becoming a shop-keeper, because, in his old age he
had failed as an artist.
All this, incident by incident, he painted, a sequence of pictures in
his mind.
Public-domain text, read in full here on John Shaqi.
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