He had a neat little corner suite which gave one a cheery view of the
traffic in Madison Avenue north and south by a mere shifting of the eyes.
I sat in the projecting semicircle that commanded this because, after
my own outlook into an airshaft, I enjoyed the twinkling of the lights.
To me the real Ville Lumière is New York. It scatters lights with the
prodigal richness with which the heaven scatters stars. It strings them
in long lines; it banks them in towering façades; it flings them in
handfuls up into the darkness; it writes them on the sky. Twilight offers
you a special beauty because, wherever you are in the city, it brings
out for you in one window or another that first wan, primrose-colored
beacon—in some ways more beautiful than the evening star. Behind the
star you don’t know what there is, while behind the light there is a
palpitating history. Then as you look down from some high perch other
histories light their lamps, till within half an hour the whole town is
ablaze with them—a light for every life-tale—as in pious places there is
one for every shrine.
Those who were looking at ours saw nothing but a green-shaded lamp, and
yet it lit up such bits of drama as Cantyre’s and mine. So behind every
other shining star, in tower or tenement, dwelling-house or hotel, there
was tragedy, comedy, adventure, farce, or romance, all in multifold
complexity, while before each human story there glowed this tranquil fire.
If I had not been an architect, with a knowledge of interior decoration
as part of my profession, I might not have been worried by the sybaritic
note in Cantyre’s rooms. Being fond of flowers, he had sheaves of
gladioluses and chrysanthemums wherever he could stack them. Over the
tables he threw bits of beautiful old brocades, ineffable in color.
Framed and glazed, a seventeenth-century chasuble embroidered in
carnations did duty as a fire-screen. Japanese pottery grotesques and
Barye bronzes jostled one another on the mantelpiece and low bookcases,
while the latter housed rows of handsome volumes bound to suit Cantyre’s
special taste and stamped with his initials. He himself, stretched in a
long chair, wore a dressing-gown of an indescribable shade of plum faced
with an equally indescribable shade of blue. The plum socks and blue
leather slippers couldn’t have been an accident; and as I had dropped in
on him unexpectedly I knew that all this _recherche_ was not to dazzle
any one—I could have forgiven that—but for his own enjoyment.
No one could have been kinder to me than he was—and I liked him. I
reminded myself that it was none of my business if his tastes were
fastidious, and that to spend his money this way was better than in
lounging about bar-rooms, as I had done; and yet I could understand
that a girl like Regina Barry should be impatient of these traits in a
husband.
I sat, however, with my back to it all, astride of a small chair, my pipe
in my mouth, looking down on the lights and traffic.
Public-domain text, read in full here on John Shaqi.
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