The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growthBarry, John D. (John Daniel)
History
The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth
Barry, John D. (John Daniel)
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
At the outbreak of the war it looked as if the whole of Europe might
become involved and it might be impossible to secure anything that could
properly be called a European art exhibit. Meanwhile, the space reserved
for the European exhibitors must he filled. It happened that, at the
time, Trask was in the East. He quickly put himself into personal
communication with the New York artists, who had been invited to send
three or four works, and he asked them to increase the number. He also
arranged with his committee for the securing of a much larger number of
American pictures. Under the circumstances he was bound to rely on the
discretion of his juries. The result was that he had to take what came.
It included a large number of excellent works and others of doubtful
merit.
An Emissary to France and Italy
Meanwhile, during the few months after the outbreak of war, the art
situation in Europe began to look more hopeful. It seemed possible that
some of the nations concerned in the war would be persuaded to
participate. Captain Asher C. Baker, Director of the Division of
Exhibits, was sent on a special mission to France, sailing from New York
early in November. The United States collier "Jason" was then preparing
to sail from New York with Christmas presents for the children in the
war zone, and the secretary of the navy had arranged with the Exposition
authorities that, on the return trip, the ship should be used to carry
exhibits from Europe. The first plan was that the exhibits should come
only from the warring nations; it was later extended to include other
nations.
In Paris Captain Baker found the situation discouraging. The first
official he saw told him that, under the circumstances, any
participation of France whatsoever was out of the question: France was
in mourning, and did not wish to celebrate anything; if any Frenchman
were to suggest participation he would be criticised; furthermore, Albert
Tirman, at the head of the French committee that had visited San
Francisco the year before to select the site of the French Pavilion, had
come back from the front in the Vosges and was hard at work in the
barracks of the Invalides, acting as an intermediary between the civil
and military authorities.
Then Captain Baker appealed to Ambassador Myron T. Herrick. Although the
ambassador was enthusiastic for the Exposition, he said that, in such a
crisis, he could not ask France to spend the four hundred thousand
dollars set apart for use in San Francisco. Captain Baker said: "Don't
you think if France came in at this time a wonderfully sympathetic
effect would be created all over the United States?" The ambassador
replied, "I do." "Wouldn't you like to see France participate?" The
ambassador declared that he would. "Will you say so to Mr. Tirman?" The
ambassador said, "Willingly."
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account