Germany was not to be completely over-shadowed by France notwithstanding previous indifference on the part of the government. German manufacturers wished to be represented, and they actually received governmental encouragement. Austrians, not to be outdone by Italy, unofficially came in. In fact, despite the war, every country had some representation, England and Scandinavia and Switzerland included, even if they did not have official authority. There are those who maintain that, in spite of criticism, the Fine Arts Department is now making a better showing than it could have made if there had been no war. American collectors, with rare canvases, were persuaded to help in the meeting of the emergency by lending work that, otherwise, they would have kept at home. It was thought that many of the Europeans would be glad to send their collections to this country for safe keeping during war time. But such proved not to be the case. A good deal of concern was felt about sending the treasures on so long a journey, subject to the hazards of attack by sea. Furthermore, from the European point of view, San Francisco seemed far away. Looking for Art Treasures A short time after Captain Baker sailed from New York another emissary went abroad for the Exposition, J. N. Laurvik, the art critic. A few weeks before Mr. Laurvik had returned from Europe, where he had represented the Fine Arts Department, looking for the work of the artists in those countries that were not to participate officially. At the time of the outbreak he was in Norway and he had already secured the promise of many collections and the co-operation of artists of distinction. His report of the situation as he left it persuaded the authorities that, in spite of the difficulties, he might do effective work. When Laurvik arrived in Rome he found that Captain Baker had already prepared for his activities. Ernesto Nathan was devoting himself heart and soul to the cause. But the Italian authorities, for the most part, were absorbed in the questions that came up with the threat of war. Working with the committee, and aided by Ambassador Thomas Nelson Page, Laurvik quickly made progress. He secured magnificent canvases by the President of the French Academy in Rome, Albert Besnard, painted, for the most part, in Benares, with scenes on the Ganges, and a collection of pieces by the Norwegian sculptor, Lerche. Notable Collections