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The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth — John Shaqi

History

The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth

Name: The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth
Author: Barry, John D. (John Daniel)

Barry, John D. (John Daniel)

Panama-Pacific International Exposition (1915 : San Francisco, Calif.)

By the German steamer, the "Crown Princess Cecilie," it happened that an
interesting collection of German Paintings, after being exhibited in the
Carnegie Institute of Pittsburgh, was started on the way to Germany; but
the war caused the ship to return to an American port. After a good deal
of negotiating the canvases were secured for the Exposition and taken
off the ship.

On the opening day of the Exposition it was found that the Palace of
Fine Arts, far from having too little material, had too much. Not only
were China and Japan and several of the European nations well
represented, but on the way were many art works that there would not be
room for. The consequence was that a new building had to be erected. It
was finished in July and it became known as the Fine Arts Annex.



I

The View From the Hill



"The best way to see the Exposition, in my opinion," said the architect,
"is to stand on the top of the Fillmore Street hill and look down. Then
you will find out what the architects were up to. The finest point of
observation would be at the corner of Divisadero Street and Broadway."

The next day, as we stood at that point, the Exposition stretched out
beneath us like a city of the Orient.

"When the architects first discussed the construction they knew it was
to be looked at from these hills. So they had to have a scheme that
should hide the skylight and avoid showing lack of finish on top and
that should be pictorial and impressive from above. One of the problems
was to make the roof architectural. Now as we look down, see how
stunning the effect is - like a Persian rug."

"And the color helped there, too, didn't it?"

"Of course. And notice how skilfully the architecture and the coloring
harmonized. As the Exposition was to be built on low, flat ground, it
had to be lifted up. One way was by using the domes. The central portion
of each of those palaces was lifted above the main surface of the roof
to introduce a row of semi-circular windows to light the interior like a
church. And the domes, besides being ornamental in themselves, gave
spring to the towers. The big tower provided scope for the splendid
archway that served as an approach and set the standard for the other
arches."

Public-domain text, read in full here on John Shaqi.

The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth

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