North Panel: "Physical Courage" or "Awakening of War Spirit." Two men fight for possession of woman on left. Woman on right attempts to draw one aside. East Panel: "Lesson of Life." Old woman gives counsel to young man and woman. Old man restrains an angry, jealous youth. Right of south panel, "Lust." East side of southern group: Greed, looking back on earth. Faith offering Immortality, symbolized by scarab, to Woman. Figures of man and woman sinking back into oblivion, "Sorrow" and "Sleep." Hand of Destiny drawing mortality to itself. Hermae, pillars with head of Hermes, god of boundaries, separating panels around earth. Reptilian and fishy forms above panels of central mass of fountain. Corridors, walls red, blue vault above, arches of smoked ivory, lines of blue on wall. Illumination by half-globes in cups on inner side of columns. Murals, by Frank Brangwyn, of London, representing Elements. Best placed of all murals. At corners of court in corridors. Northeast corner, "Fire." "Primitive Fire," figures around fire nursing it, or feeding it. "Industrial Fire," use of fire in service of man. Southeast corner, "Water": Fishermen dragging in net, carriers with baskets on backs, "The Net." Women and men filling jars at a spring, flamingoes in water, luxuriant growth, clouds, "The Fountain." Southwest corner, "Air": Men shooting arrows through trees, birds in flight, "The Hunters." Huge mill, children flying kites, clouds, grain blown by wind, "The Windmill." Northwest corner, "Earth": Men high in trees and on ground, "The Fruit Pickers." Figures crushing juice out with feet, group in front with wine, "The Dancing of the Grapes." Planting in Court: Tall Italian cypress before arches; orange trees; balled acacia; denseness of growth along colonnades; heavy and rank, suggesting tropical flora. Large cauldrons, at side of steps leading down to sunken gardens, designed by Mullgardt. North Entrance to Court of Ages "Daughter of Neptune" or "Aquatic Life," large female figure in north Court of Ages, by Sherry E. Fry. Planting: eucalyptus, acacia, laurel. Features that Ought to be in Noted by Night Illumination Three kinds of light used; white arc lamps, extensively behind banners and shields to flood facades of outer walls and Court of Four Seasons; warmer light of Mazda lamps in clear and colored globes; and searchlights concealed on tops of buildings trained on towers and on high groups of sculpture. Lighting scheme and scope completed long before buildings were up; made possible by advance in illuminating engineering, developed under name of science of lighting and art of illumination. Chief of Department of Illumination, Walter D'Arcy Ryan, of the General Electric Company, Schenectady, New York; field assistant, A. F. Dickerson. Ornamental details of lighting standards and fixtures, designed by J. W. Gosling; designs made at Illuminating Engineering Laboratories, Schenectady.