The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growthBarry, John D. (John Daniel)
History
The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth
Barry, John D. (John Daniel)
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
Keynote of lighting scheme - life and gaiety, without garishness.
Lighting kept subordinate to architecture; walks shaded to throw
emphasis on brilliantly lighted facades and to bring out architecture,
landscape and flowers. Same lighting principle used throughout; but
effect in different courts radically different.
Area of surface illuminated, 8,000,000 square feet; 2,000,000 of wall
surface, and 6,000,000 of ground surface.
Number of searchlights used: 373 arc searchlights, in diameter from 13
to 36 inches; 450 small searchlights, called the "Mosquito Fleet"; 250
incandescent projectors for flag lighting.
Fillmore Street Entrance
South facade of entrance, outline illumination, with bare electric
lights following outlines of architecture; used elsewhere only in Zone.
Inside Fillmore Street entrance, Zone to right; brilliant lighting,
outline illumination, more or less refined; exaggerated effects
prohibited.
Zone, element of festivity in arches crossing street at short intervals,
ribbons of turkey red suspended from each lamp give warmth and action.
Contrast of Zone lights with illumination in other parts of Exposition.
To left, Service Building, administration offices; coloring, Pinks and
blue; ceiling of porch, intense blue, deepest used on grounds.
Corner of Avenue of Palms and Avenue of Progress: lights banners,
towers, facades of buildings, walks, flood lights, spots of light and
color.
Fairy-like effect of Avenue of Palms: towers look luminous; in early
evening Italian Towers red hot, throbbing; glow stronger than Tower of
Jewels; later, Tower of Jewels most brilliant spot on avenue.
Tower illumination, floods of light from searchlights; white light
creates shadows, in turn illuminated by concealed colored light on
various stages, on Tower of Jewels and Italian Towers.
Single light standards along Avenue of Palms, light yellow, dull points
of light; contrast with white pearly light on tops of booths.
Avenue of Progress
Along Avenue of Progress: fine flag display; no direct sources of light;
banners; beautiful scenes made by planting against walls and quality of
green on lawn; daylight effect from luminous arcs which produce whitest
artificial light in use.
Gas lights on tops of booths, emergency lights if electricity fails.
Banners and heraldic shields, designed by Ryan; banners, of early
explorers and pioneers, heraldic shields related to history of
California, Mexico, Central America, and Pacific Ocean.
Purpose of banners: to form beautiful lines of color, to screen eyes
from direct light source, to reflect light toward buildings, and to
suggest history of court.
Banners suspended, swung by wind, form moving spots of color.
Roman gateway, Palace of Varied Industries: faint light through small
arches above doorway; delicate green lattice or grill work in door.
Public-domain text, read in full here on John Shaqi.
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