All men of certain age know the feeling of caged irritation--an
illustration in the _Graphic_, a bar of music, or the light words of a
friend from home may set it ablaze--that comes from the knowledge of
our lost heritage of London. At home they, the other men, our equals,
have at their disposal all that town can supply--the roar of the
streets, the lights, the music, the pleasant places, the millions of
their own kind, and a wilderness full of pretty, fresh-colored
Englishwomen, theatres, and restaurants. It is their right. They accept
it as such, and even affect to look upon it with contempt. And we, we
have nothing except the few amusements that we painfully build up for
ourselves--the dolorous dissipations of gymkhanas where every one knows
everybody else, or the chastened intoxication of dances where all
engagements are booked, in ink, ten days ahead, and where everybody’s
antecedents are as patent as his or her method of waltzing. We have been
deprived of our inheritance. The men at home are enjoying it all, not
knowing how fair and rich it is, and we at the most can only fly
westward for a few months and gorge what, properly speaking, should take
seven or eight or ten luxurious years. That is the lost heritage of
London; and the knowledge of the forfeiture, wilful or forced, comes to
most men at times and seasons, and they get cross.
Calcutta holds out false hopes of some return. The dense smoke hangs
low, in the chill of the morning, over an ocean of roofs, and, as the
city wakes, there goes up to the smoke a deep, full-throated boom of
life and motion and humanity. For this reason does he who sees Calcutta
for the first time hang joyously out of the _ticca-gharri_ and sniff the
smoke, and turn his face toward the tumult, saying: “This is, at last,
some portion of my heritage returned to me. This is a city. There is
life here, and there should be all manner of pleasant things for the
having, across the river and under the smoke.” When Leland, he who wrote
the Hans Breitmann Ballads, once desired to know the name of an austere,
plug-hatted redskin of repute, his answer, from the lips of a
half-breed, was:
“He Injun. He big Injun. He heap big Injun. He dam big heap Injun. He
dam mighty great big heap Injun. He Jones!” The litany is an expressive
one, and exactly describes the first emotions of a wandering savage
adrift in Calcutta. The eye has lost its sense of proportion, the focus
has contracted through overmuch residence in up-country stations--twenty
minutes’ canter from hospital to parade-ground, you know--and the mind
has shrunk with the eye. Both say together, as they take in the sweep
of shipping above and below the Hugli Bridge: “Why, this is London! This
is the docks. This is Imperial. This is worth coming across India to
see!”
Public-domain text, read in full here on John Shaqi.
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