A tiny, pitch-black closet opens out of the long room, and into this the
Police plunge. “Hullo! What’s here?” Down flashes the lantern, and a
white hand with black nails comes out of the gloom. Somebody is asleep
or drunk in the cot. The ring of lantern light travels slowly up and
down the body. “A sailor from the ships. He’s got his _dungarees_ on.
He’ll be robbed before the morning most likely.” The man is sleeping
like a little child, both arms thrown over his head, and he is not
unhandsome. He is shoeless, and there are huge holes in his stockings.
He is a pure-blooded white, and carries the flush of innocent sleep on
his cheeks.
The light is turned off, and the Police depart; while the woman in the
loose-box shivers, and moans that she is “seek: vary, _vary_ seek.” It
is not surprising.
CHAPTER VII.
DEEPER AND DEEPER STILL.
I built myself a lordly pleasure-house,
Wherein at ease for aye to dwell;
I said: “O Soul, make merry and carouse,
Dear Soul--for all is well.”
--_The Palace of Art._
“And where next? I don’t like Colootollah.” The Police and their charge
are standing in the interminable waste of houses under the starlight.
“To the lowest sink of all,” say the Police after the manner of Virgil
when he took the Italian with the indigestion to look at the frozen
sinners. “And where’s that?” “Somewhere about here; but you wouldn’t
know if you were told.” They lead and they lead and they lead, and they
cease not from leading till they come to the last circle of the
Inferno--a long, long, winding, quiet road. “There you are; you can see
for yourself.”
But there is nothing to be seen. On one side are houses--gaunt and dark,
naked and devoid of furniture; on the other, low, mean stalls, lighted,
and with shamelessly open doors, wherein women stand and lounge, and
mutter and whisper one to another. There is a hush here, or at least the
busy silence of an officer of counting-house in working hours. One look
down the street is sufficient. Lead on, gentlemen of the Calcutta
Police. Let us escape from the lines of open doors, the flaring lamps
within, the glimpses of the tawdry toilet-tables adorned with little
plaster dogs, glass balls from Christmas-trees, and--for religion must
not be despised though women be fallen--pictures of the saints and
statuettes of the Virgin. The street is a long one, and other streets,
full of the same pitiful wares, branch off from it.
“Why are they so quiet? Why don’t they make a row and sing and shout,
and so on?” “Why should they, poor devils?” say the Police, and fall to
telling tales of horror, of women decoyed into _palkis_ and shot into
this trap. Then other tales that shatter one’s belief in all things and
folk of good repute. “How can you Police have faith in humanity?”
Public-domain text, read in full here on John Shaqi.
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