“What are we going to see?” “Japanese gir--No, we aren’t, by Jove! Catch
that Chinaman, _quick_.” The pigtail is trying to double back across a
courtyard into an inner chamber; but a large hand on his shoulder spins
him round and puts him in rear of the line of advancing Englishmen, who
are, be it observed, making a fair amount of noise with their boots. A
second door is thrown open, and the visitors advance into a large,
square room blazing with gas. Here thirteen pigtails, deaf and blind to
the outer world, are bending over a table. The captured Chinaman dodges
uneasily in the rear of the procession. Five--ten--fifteen seconds pass,
the Englishmen standing in the full light less than three paces from
the absorbed gang who see nothing. Then burly Superintendent Lamb brings
down his hand on his thigh with a crack like a pistol-shot and shouts:
“How do, John?” Follows a frantic rush of scared Celestials, almost
tumbling over each other in their anxiety to get clear. Gudgeon before
the rush of the pike are nothing to John Chinaman detected in the act of
gambling. One pigtail scoops up a pile of copper money, another a
chinaware soup-bowl, and only a little mound of accusing cowries remains
on the white matting that covers the table. In less than half a minute
two facts are forcibly brought home to the visitor. First, that a
pigtail is largely composed of silk, and rasps the palm of the hand as
it slides through; and secondly, that the forearm of a Chinaman is
surprisingly muscular and well-developed. “What’s going to be done?”
“Nothing. They’re only three of us, and all the ringleaders would get
away. Look at the doors. We’ve got ’em safe any time we want to catch
’em, if this little visit doesn’t make ’em shift their quarters. Hi!
John. No pidgin to-night. Show how you makee play. That fat youngster
there is our informer.”
Half the pigtails have fled into the darkness, but the remainder,
assured and trebly assured that the Police really mean “no pidgin,”
return to the table and stand round while the croupier proceeds to
manipulate the cowries, the little curved slip of bamboo and the
soup-bowl. They never gamble, these innocents. They only come to look
on, and smoke opium in the next room. Yet as the game progresses their
eyes light up, and one by one they drop in to deposit their pice on odd
or even--the number of the cowries that are covered and left uncovered
by the little soup-bowl. _Mythan_ is the name of the amusement, and,
whatever may be its demerits, it is _clean_. The Police look on while
their charge plays and loots a parchment-skinned horror--one of Swift’s
Struldbrugs, strayed from Laputa--of the enormous sum of two annas. The
return of this wealth, doubled, sets the loser beating his forehead
against the table from sheer gratitude.
“_Most_ immoral game this. A man might drop five whole rupees, if he
began playing at sundown and kept it up all night. Don’t _you_ ever play
whist occasionally?”
Public-domain text, read in full here on John Shaqi.
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