From love by natural sequence to death. Where _is_ the Park Street
Cemetery? A hundred _gharriwans_ leap from their boxes and invade the
market, and after a short struggle one of them uncarts his capture in a
burial-ground--a ghastly new place, close to a tramway. This is not what
is wanted. The living dead are here--the people whose names are not yet
altogether perished and whose tombstones are tended. “Where are the
_old_ dead?” “Nobody goes there,” says the _gharriwan_. “It is up that
road.” He points up a long and utterly deserted thoroughfare, running
between high walls. This is the place, and the entrance to it, with its
_mallee_ waiting with one brown, battered rose, its grilled door and its
professional notices, bears a hideous likeness to the entrance of Simla
churchyard. But, once inside, the sightseer stands in the heart of utter
desolation--all the more forlorn for being swept up. Lower Park Street
cuts a great graveyard in two. The guide-books will tell you when the
place was opened and when it was closed. The eye is ready to swear that
it is as old as Herculaneum and Pompeii. The tombs are small houses. It
is as though we walked down the streets of a town, so tall axe they and
so closely do they stand--a town shrivelled by fire, and scarred by
frost and siege. They must have been afraid of their friends rising up
before the due time that they weighted them with such cruel mounds of
masonry. Strong man, weak woman, or somebody’s “infant son aged fifteen
months”--it is all the same. For each the squat obelisk, the defaced
classic temple, the cellaret of chunam, or the candlestick of
brickwork--the heavy slab, the rust-eaten railings, the whopper-jawed
cherubs and the apoplectic angels. Men were rich in those days and could
afford to put a hundred cubic feet of masonry into the grave of even so
humble a person as “Jno. Clements, Captain of the Country Service,
1820.” When the “dearly beloved” had held rank answering to that of
Commissioner, the efforts are still more sumptuous and the verse....
Well, the following speaks for itself:
“Soft on thy tomb shall fond Remembrance shed
The warm yet unavailing tear,
And purple flowers that deck the honored dead
Shall strew the loved and honored bier.”
Failure to comply with the contract does not, let us hope, entail
forfeiture of the earnest-money; or the honored dead might be grieved.
The slab is out of his tomb, and leans foolishly against it; the
railings are rotted, and there are no more lasting ornaments than
blisters and stains, which are the work of the weather, and not the
result of the “warm yet unavailing tear.” The eyes that promised to shed
them have been closed any time these seventy years.
Public-domain text, read in full here on John Shaqi.
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