The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
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The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“That woman has always hated me,” Jetsam murmured. “And even to-night
her hatred still burned so fiercely that she tried to kill me. Even if
she could speak, would she admit the truth? And she cannot speak.”
“I think I can cause her to communicate with us,” said Carpentaria. “You
will see in a moment.”
CHAPTER XXX--The Words of Mrs. Ilam
Carpentaria bent over the old woman, as if to search ‘her eyes and find
some kindness there.
And it seemed to him, indeed, that the character of her gaze had
somewhat changed, though those brilliant orbs, famous in Torquay fifty
years ago for their splendour, showed no trace of humidity.
Carpentaria himself was moved. It would have been impossible for anyone,
least of all an artist of romantic instincts such as he, to listen
to Jetsam’s recital without emotion. And now, when the narrative was
finished, Jetsam sat silent and preoccupied, the figure of grief and of
failure. One felt, in observing him, the immense tragedy of his life--a
life which would not have been a tragedy, but merely a little slice of
the commonplace, had he not by chance learned the sinister secret of his
origin. One understood how the discovery of that secret had completely
changed his view of existence, how it had filled him with ideas of
frantic hope, frantic revenge, and frantic regret at the long drab
irrecoverable years which the past had swallowed up. One penetrated, as
it were, into his brain, and watched how he was continually contrasting
what his career actually had been with what it might have been--with
what it would have been but for the ruthless action of the woman on the
bed.
And then there was the burly, smitten figure of Josephus Ilam, too,
equally pathetic in its way. For love of this strong, heavy man, who
once had been a little boy in a sailor suit standing on Exeter platform,
the woman on the bed had committed a crime which was certainly worse
than murder. She had made one life and she had marred another. And now
she herself was stricken, withered, about to appear before the ultimate
tribunal. It was incontrovertible that, if she had sinned, she had
sinned magnificently, in the grand manner.
Carpentaria glanced at the two men, and then back again at the aged
mother.
“I understand, Mrs. Ilam,” he began in a voice strangely soft and
persuasive, “that you can indicate ‘yes’ or ‘no’ by a slight movement.
Miss Dartmouth told me the other day. Is this so? I entreat you to
answer me.”
With a sudden jerk Josephus Ilam rose from his chair and rushed to the
bedside.
“Answer him, mother.”
Mother and son exchanged a long gaze, and then Mrs. Ilam’s eyelids
blinked. It was the affirmative sign.
Public-domain text, read in full here on John Shaqi.
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