The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“Thank you,” said Carpentaria simply. “Now it seems to me, if you are
not too tired, that we can quite easily carry on a conversation upon
this basis. It will be slow, but it will be none the less sure. By
successively choosing letters out of the alphabet you can make up words,
and so form sentences. You can choose the letters thus: I will run
through the alphabet, and when I come to the letter you want, you will
blink. Do you comprehend my scheme?”
The eyes blinked.
“And are you willing to try it?”
There was a considerable pause, but in the end the eyes blinked.
“Very good,” said Carpentaria. “Now, quite probably you will want to
begin with the letter ‘I,’ eh?”
The eyes blinked.
“Excellent! Your first word is ‘I.’ Let us go to the next word. A, B, C,
D--------”
At “D” the eyes blinked again.
With infinite patience, Carpentaria continued to help Mrs. Ilam to
express herself, and though that mouth was incapable of speech and those
hands would never write again, the woman transmitted her first thought
to the outer world, and it went thus:
“_I do not regret_.”
There was something terrible, something majestic, in that unrepentant
enunciation. It illustrated the remorseless character of the aged
creature, whose spirit nothing apparently could conquer. Josephus
Ilam moved away from the bed and hovered uncertainly between the
dressing-table and the window. Jetsam got up from his chair and, taking
Ilam’s place, examined the features of the woman who had ruined his
life and cheated him out of all that was his. And even Jetsam could not
forbear an admiring exclamation.
“You are tremendous,” he murmured. “I could almost like you.”
Carpentaria waved him aside.
“Has Mr. Jetsam told us the truth, dear madam?” he interrogated her.
And the eyes blinked. It was as though they blinked joyously, defiantly.
“Do you agree that restitution should be made, so far as restitution is
possible?” Carpentaria asked.
There was no movement of the eyelids.
“You object to restitution, even now?”
Still there was no movement of the eyelids. But Josephus Ilam’s legs
could be heard shuffling on the floor.
“You wish to speak, then? A, B, C, D----------”
Carpentaria went on to “W” before Mrs. Ilam signified that the sentence
was to commence. The words ran:
“Why named Jetsam?”
The woman’s mind was evidently exploring, in a sort of indifferent
curiosity, the side-issues, the minor scenes, of the terrific drama
which she had started and of which she now witnessed the climax.
She appeared to have no sense at all of her own responsibility.
“It was a name I gave myself when I first found out who I was,” said
Jetsam bitterly. “Something chucked overboard and forgotten, you see.”
A slight smile seemed to illuminate the woman’s face.
“Do you agree that restitution should be made?” Carpentaria repeated
patiently.
The eyes of the paralytic made no sign until Carpentaria began again to
go through the alphabet. Then, letter by letter, the message came:
Public-domain text, read in full here on John Shaqi.
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