The City of Pleasure : $b a fantasia on modern themes — John Shaqi
The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
That night the City of Pleasure was illuminated. Eighty thousand tiny
electric lamps hanging in festoons from standard to standard lighted
the Central Way alone; the façades of all the places of amusement were
outlined in fire; the shops glittered; and the cable-cars, as they
flashed to and fro, bore the monogram I.C. in electricity on their
foreheads. At eight o’clock the thoroughfare was crowded with visitors,
and the stream of arrivals was stronger than ever. In the superb
restaurants, at all prices (no matter what the price, they were equally
superb in decoration), five thousand diners were finishing five thousand
dinners, their eyes undisturbed by the presence of advertisements on
the walls. The theatre, the music-hall, the circus, the menagerie, the
concerts, and the rest of the entertainments, were filling up. In the
Amusements Park people shot down railways into water, slid down smooth
slopes into mattresses, circled in great wheels, floated in the latest
novelties of merry-go-rounds, ascended in the balloon, and practised all
the other devices for frittering away eternity, just as though night
had not fallen. In the vast court of the Exposition Palace a band was
swelling the strains of the newest waltzes to three storeys of loungers
and sitters at café-tables, while within the interior of the building
men and women wandered about examining the multifarious attractions of
the Woman’s Exhibition.
But the chief joy was the Oriental Gardens, wherein a multitude of over
fifty thousand persons had gathered together. The Oriental Gardens were
illuminated, but in a different manner from the Central Way. Chinese
lanterns were suspended everywhere in the budding trees, giving the
illusion of magic precocious flowers that had blossomed there in a
single hour, in all the tints of the rainbow and many others entirely
foreign to the rainbow. The bandstand alone was picked out in
electricity. It blazed in the centre of the gardens like a giant’s
crown, and, although yet empty, it formed the main object of attention.
Overhead stretched a dark-blue sky, silvered with stars, and the wind
had a warm and caressing quality which encouraged sightseers to expose
themselves to it to such an extent that the fifteen cafés of the
Oriental Gardens, some sheltered, some quite open, but each a centre
of light and laughter, were every one crowded with guests. The four
thousand chairs surrounding the bandstand were occupied, and also the
six thousand other chairs dispersed in various parts of the gardens. The
murmur of conversation, the rustle of dresses, the tinkle of glasses,
the rumour of uncountable footsteps, rose on the air. The faces of
pretty women could be observed obscurely in the delicious gloom, and
the glowing scarlet of cigars bobbed mysteriously about like aspecies of
restless glow-worm.
Public-domain text, read in full here on John Shaqi.
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