The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
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The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
Suddenly, as he was approaching the two bungalows, he stopped and
listened. He thought he heard footsteps; but no sound met his ear, and
he raised the handles of the barrow again. By this time he was midway
between the bungalows and about to turn to the side-entrance of his
own. Once more he stopped; he distinctly did hear footsteps crushing the
gravel.
“What is that? Anyone there?” cried a voice.
And it was Ilam’s voice, full of fear. Carpentaria crept away to the
shelter of his own wall, leaving the barrow that had become a bier in
the midst of the path. Vaguely and dimly he saw the form of Ilam coming
down the avenue, saw it stop uncertainly before the barrow, saw it bend
down, and then he heard a shriek--a shriek of terror--loud, violent, and
echoing, and Ilam fled away. Carpentaria heard him mount the steps of
his house and fumble with the door, and then he heard the bang of the
door.
With all possible speed he rushed to the barrow, wheeled it into his
garden, and thence to an outhouse, of which he carefully fastened the
padlock.
He stood some time hesitant in the avenue, wondering whether any further
singular phenomenon would proceed from the Ilam house that night. His
curiosity was rewarded. A most strange procession emerged presently
from the bungalow. First came old Mrs. Ilam, dressed in a crimson
dressing-gown, a white nightcap on her head, and carrying a lamp with an
elaborate drawing-room shade. Carpentaria could see that the lamp shook
in her trembling hand. Her hands always trembled, but her head never.
She came down the steps with the deliberation of extreme old age,
peering in front of her, and she was followed, timorously, by her son.
The lamp threw a large circle of yellow light on the ground, and at
intervals Mrs. Ilam held it up high so that it illuminated the faces
of mother and son. They came into the middle of the avenue. It was now
seriously raining.
“I knew it wouldn’t be there,” Ilam whispered, in an awed tone. “It
isn’t the sort of thing that stays. But I saw it--I saw the cloth and I
saw a bit of its face.”
Mrs. Ilam looked about her.
“Nonsense, Jos,” she upbraided him, fixing her eyes on him in a sort of
reproof. “It’s your imagination.”
“It isn’t,” said Josephus. “I saw it; and what’s more, it was on a bier.
That’s the worst--it was on a bier. Mother, he will haunt me all my
life!”
“Don’t talk so loud, child,” put in Mrs. Ilam. “You’d better go to bed.”
“What’s the good of going to bed?” he inquired. “What! I took him and I
buried him as safe as houses. I left him there, and I came straight back
here, except that I was stopped by a watchman at the stables, who told
me the horses seemed to be all frightened. And I had a talk to the
fellow; and I find _it_ on a bier here, right in my path. And now it’s
gone again.”
“Come in,” said Mrs. Ilam.
“And why were the horses frightened? That shows----”
“Come in,” Mrs. Ilam repeated. “I’ll get you some hot milk, and you must
try to sleep.”
Public-domain text, read in full here on John Shaqi.
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