The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“What are you doing here?” he demanded gruffly of the parlourmaid.
“Dusting your table, sir,” replied Jenkins, in a tone that respectfully
asked to be informed whether Carpentaria was blind.
“Who told you to dust my table?”
“Mistress, sir.”
“Where is your mistress?”
“I don’t know, sir. She told me to come up and dust the room.” A pause.
“I--er--really don’t know.”
“Go and find her. Ask her to speak to me at once.”
“Yes, sir.”
“Half a minute, Jenkins. It was you who brought my milk up?”
“Yes, sir.”
“Where did you take it from?”
“Mistress gave it me with her own hands, sir.”
“And you brought it direct to me?”
“Yes, sir.”
“No one else touched it?”
“No, sir.”
“Anybody called here this morning?”
“Called, sir?” Jenkins seemed ruffled.
“Yes. Anybody been to the house?”
“No, sir,” said Jenkins, as though in asking if anybody had called
Carpentaria was reflecting upon her moral character. And she blushed.
“Very well. Go and find your mistress.”
Jenkins departed, and came back in a surprisingly short space of time.
“Mistress doesn’t seem to be about, sir,” said Jenkins.
“What? She hasn’t gone out, has she?”
“Not that I know of, sir. But I can’t find her.”
“Have you looked in her bedroom?”
“I knocked at the door, sir.”
“And there was no answer?”
“No, sir.”
“When did you last see your mistress?”
“When she told me to dust this room, sir, after I had brought up your
milk.”
“Where was she?”
“In the dining-room, sir.”
A fearful thought ran through the mind of Carpentaria, cutting it like a
lancet. Suppose that Juliette had been poisoned! Suppose that an attempt
had been made against her, as against him, but with more success! He
hurried out of the room and knocked loudly at her bedroom-door.
“Juliette! Are you there?”
No answer.
“Juliette, I say!”
Again no answer. His heart almost stopped. He opened the door and
entered the room. It was empty, but already the bed had been made and
everything tidied. He penetrated to the dressing-room, which was equally
neat and equally empty.
Then he searched the house and the premises; he searched everywhere
except in the little outhouse wherein was hidden the corpse of the
drunken man. At length, after a futile cross-examination of the cook in
the kitchen, he perceived that the scullery-maid, in the scullery was
surreptitiously beckoning to him.
This ungainly chit, Polly, whose person was only kept presentable by
the ceaseless efforts of Juliette, had red hair, rather less red than
Carpentaria’s, and she worshipped him afar off. She had that “cult” for
him which very humble servants do sometimes entertain for masters who
never even throw them a glance. And now she was beckoning to him and
making eyes!
He followed her through the scullery into the yard.
“Do you want mistress, sir?” asked Polly in a whisper.
“Yes.”
“Well, she’s over the wye, sir.”
“Over the way?”
Public-domain text, read in full here on John Shaqi.
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