The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
“We shall take fifteen thousand pounds at the gates to-day,” said
Carpentaria. “The highest attendance in any one day at the Paris
Exhibition of 1900 was six hundred thousand. Do you imagine we can’t
equal that? We shall surpass it, sir. Wait for our August fêtes. Wait
for our Congress of Trade Unions in September, and you will see! The
average total attendance at the last three Paris exhibitions has been
forty-five millions. We hope to reach fifty millions. But suppose we
only reach forty millions. That means two million pounds in gates
alone; and let me remind you that the minor activities of this show are
self-supporting. Why, the Chicago Exhibition made a profit of nearly a
million and a half dollars. Do you suppose we can’t beat that, with a
city of six million people at our doors, and the millions of Lancashire
and Yorkshire within four hours of us?”
“But Chicago was State-aided,” Mr. Smithers ventured.
“State-aided!” cried Ilam. “Chicago was the worst-managed show in the
history of shows, except St. Louis. If the State came to me I should--I
should----”
“Offer it a penny to go away and play in the next street.” Carpentaria
finished his sentence for him.
“You interest me extremely,” said the journalist. “And now, as to the
number of your employés.”
He chuckled to himself with glee at the splendid interview he was
getting out of Carpentaria and Ilam as they obligingly responded to his
queries. It was Ilam who at last revolted, and insisted that he must
descend.
“Now for my condition,” said Carpentaria.
“Let’s have it,” said the journalist.
“You asked us to talk to you and we have talked to you. The condition
is that you regard all you have heard up here as strictly
confidential--mind, all! You tell no one; you print nothing..Remember,
you are an honourable man.”
“But this is farcical,” Smithers expostulated.
“Not at all,” said Carpentaria sweetly. “Do you imagine that because you
have an inordinate amount of cheek, a family and two penniless aunts, we
are going to break the habits of a life-time? For myself, I have never
been interviewed.”
“Is this your last word?” the journalist demanded.
“It is,” said Carpentaria.
“Very well,” said the journalist, and his head disappeared.
“Let us descend,” said Ilam, savagely pleased. And he waved the descent
flag.
“We shan’t descend just yet,” the journalist informed them, popping up
his head again.
“And pray, why not?”
“Because I’ve cut the rope.”
Carpentaria, always calm when art was not concerned, tore a fragment
of paper from an envelope in his pocket and threw it out of the car. It
sank away rapidly from the balloon. Moreover, it was evident, even to
the eye, that their distance from the earth was vastly increasing.
Public-domain text, read in full here on John Shaqi.
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