The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
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The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
The fact was that Mr. Jetsam’s plans had been slightly deranged. He had
hoped to get through his great scene--the scene to which all his efforts
had tended--during Rosie’s first absence on the river. He relied on
Rosie; he had been amazed at her goodness and her fortitude; he had been
still more amazed at his singular influence over her; and he naturally
told her a great deal. But he did not tell her quite everything. He
feared to frighten her. Hence proceeded one of his reasons for sending
her to the boat, with the object of sinking the coffer further in the
river as the tide fell. But she had dispatched the business with such
extraordinary celerity, and he, on his part, had been so hindered by
such an unexpected contretemps, that she was back again before even he
had begun.
Thus, he had been obliged to invent a new errand for her, and he
flattered himself that he had invented the errand, and dispatched her on
it, with a certain histrionic skill--and he had the right so to flatter
himself. It desolated him to deceive her, to hoodwink her; but he saw no
alternative.
Having secured the house, he ascended again, this time taking less care
to maintain an absolute silence, to the first floor. The affair was
fully launched now, and no one could interrupt him. If Pauline awoke
in her locked bedroom and heard things, so much the worse for her, he
reflected. She could not go out on to her balcony because he had seen
long ago to the fastening of the window. Therefore she might cry as much
as she liked. He laughed as he thought of this, not having the least
idea that he had so elaborately fastened the door and the window of an
empty room.
He went into Mrs. Ilam’s bedroom with a slight swagger, and shut the
door. A fire was burning in the grate. He cast a single glance at the
bed and its mute and helpless occupant, and putting his little lantern
on the mantelpiece, he walked round the room, inspecting its arrangement
and its corners. Then, suddenly remembering his own burglarious exploit
of forcing an entrance into the room by the window, he approached the
window, flung it wide open and stepped outside on to the balcony.
Far across the expanse of the Oriental Gardens, in the moonlight, he
discerned a figure vaguely moving in the direction of the river. It was
a woman’s figure.
“There she is,” he murmured. “Admirable creature! Why did I not meet
such a woman when I was younger?”
Then he came in again, shut and fastened the window, and drew the heavy
curtains across it, taking care that no chink was left through which
light could be seen. Then he began to whistle softly, and he turned on
all the electricity in the apartment; there were a cluster of lamps
in the ceiling, and two lights over’ the dressing-table, besides the
table-lamps, and his own trifling gleam of a lantern. The room was
brilliantly, almost blindingly, lit, and every object stood revealed.
Public-domain text, read in full here on John Shaqi.
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