The City of Pleasure : $b a fantasia on modern themesBennett, Arnold
General
The City of Pleasure : $b a fantasia on modern themes
Bennett, Arnold
English fiction -- 20th century
He stepped towards the bed, and deliberately gazed into the eyes of
the stricken old woman. Mrs. Ilam’s burning orbs blinked at intervals.
Otherwise she gave no sign of volition or of life. Jetsam placed
his eyes in the fixed line of her gaze, so that they were obliged to
exchange a glance. She appeared to be unconscious of it. Only a scarcely
perceptible trémulation ran along her arms, which lay stretched, as
usual, outside the coverlet, like the arms of a corpse.
“Well,” said Jetsam, “here I am at last, you see. Do you recognize me?
I’ve changed, haven’t I, old hag? But you can’t be mistaken in me.”
The pent-up bitterness of a lifetime escaped from him in the tones of
his voice. But the old woman showed no symptom that the terrible past
was thus revisiting her in its most awful form.
“You thought I was dead, didn’t you?” Jetsam continued. “For over forty
years you have been sure that I was dead, and that your crime was one of
the thousands of crimes which go unpunished. And look here,” he went on;
“if you have any doubt, murderess, as to my identity, look at this. I’ll
make you look at it, by heaven!”
He bent down, drew up the trouser of his left leg to the knee, and
pushed the sock into his boot, so that the calf of the leg was
exposed. On the fleshy part of the calf could be plainly seen a large
birth-stain. With the movement of an acrobat he raised that leg over
the bed, over the eyes of Mrs. Ilam, and held it there during several
seconds. Then he dropped it.
“There!” he exclaimed. “That’s to show you who it is you have to deal
with.”
His voice was cruel, icy, and inexorable. He had no pity, no trace
of mercy, for the woman who, whatever the enormity of her sins, was
entitled to some respect by reason of her extreme age, her absolutely
defenceless condition, and her suffering.
“They tell me you can answer ‘yes’ or ‘no,’” he said, “by your eyelids.
Blinking means ‘yes,’ and no movement means ‘no.’ I am going to put some
questions to you. Did you take the photograph out of the box? Answer.”
Mrs. Ilam closed her eyes and kept them closed.
“What does that mean?” Jetsam grumbled. “Open your eyes again,
murderess.”
But Mrs. Ilam did not open her eyes again. She obstinately kept them
closed; and she might have been asleep, except that now and then a tear
exuded from under the lids.
“I’ll make you open them,” cried Jetsam.
His hand approached the old woman’s eyes, but even his implacable and
cruel bitterness recoiled from the coward villainy of touching that
stricken and helpless organism. He drew back his hand, and some
glimmering sense of the dreadfulness of the scene which he was acting
reached his heart. The thought ran through his brain that it was a good
thing Rosie had not been present.
“Very well,” he said, “as you like. Only I know that you, or one of you,
must have taken that photograph out of the box, and I have every reason
to believe that it is in this room. In any case I mean to know very
shortly whether it is or not.”
Public-domain text, read in full here on John Shaqi.
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