The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
The warmest and strongest of coffee was soon swallowed—by the way, what
a sad pity it is that we know nothing about making coffee in Europe—and
having settled ourselves comfortably in our well-cushioned araba, Madame
——, myself, and our attendant were soon jolting over the rough _pavé_
towards the scene of action, followed by my father and the two Turkish
servants. The lattices of the carriage were closely shut, to avoid any
possible difficulty, owing to our being Europeans; and one servant
walked close beside each door, as though guarding the harem of some
bearded Moslem.
Arrived within the precincts of the court of Sultan Achmet’s magnificent
mosque, and fairly _entamés_ among the carriages, which resembled a bed
of scarlet and yellow poppies, we removed the lattices altogether, and
remained lying very comfortably among our silken cushions, with the
araba open on all sides, and immediately in front of us the space along
which the procession was to pass: the line of carriages forming one
boundary, and the other being guarded by a treble rank of military.
The coup-d’œil was beautiful! The sun was just fringing the fleecy
clouds with a glad golden edge; and, as the vapours rolled away, the
bright blue of the laughing sky spread far and wide its stainless
canopy. The noble trees that overshadow a portion of the enclosure were
just putting forth their young spring leaves, all fresh, and dewy, and
tender—tokens of that infant vegetation which may be blighted by too
rude a blast, and which awakens in the heart such gentle and such fond
associations—the spacious steps of white marble that stretch far in
front of the principal entrance of the mosque were crowded with human
beings—the exterior gallery that runs along the side of the edifice on
which the Sultan was to pass was filled with women, whose white veils
and dark _feridjhes_ made them look like a community of nuns—while, in
the rear of the military, groups were every where forming, shifting, and
producing the most interesting pictorial effects.
Public-domain text, read in full here on John Shaqi.
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