The apartment into which we were ushered was large and warm, richly carpeted, and surrounded on three sides by a sofa, raised about a foot from the ground, and covered with crimson shag; while the cushions, that rested against the wall or were scattered at intervals along the couch, were gaily embroidered with gold thread and coloured silks. In one angle of the sofa stood the _tandour_: a piece of furniture so unlike any thing in Europe, that I cannot forbear giving a description of it. The tandour is a wooden frame, covered with a couple of wadded coverlets, for such they literally are, that are in their turn overlaid by a third and considerably smaller one of rich silk: within the frame, which is of the height and dimensions of a moderately sized breakfast table, stands a copper vessel, filled with the embers of charcoal; and, on the two sides that do not touch against the sofa, piles of cushions are heaped upon the floor to nearly the same height, for the convenience of those whose rank in the family does not authorize them to take places on the couch. The double windows, which were all at the upper end of the apartment, were closely latticed; and, at the lower extremity of the room, in an arched recess, stood a classically-shaped clay jar full of water, and a covered goblet in a glass saucer. Along a silken cord, on either side of this niche, were hung a number of napkins, richly worked and fringed with gold; and a large copy of the Koran was deposited beneath a handkerchief of gold gauze, on a carved rosewood bracket. In the middle of the floor was placed the _mangal_, a large copper vessel of about a foot in height, resting upon a stand of the same material raised on castors, and filled, like that within the tandour, with charcoal.