The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
In the distance, a wreath of lamps defined the outline of the Military
College; while lower in the valley gleamed out the costly chandeliers
which lit up the tents of the Pashas. The hills were sprinkled over with
lights; the terrace at the extremity of the palace was a wall of fire;
and the scene was all life and gladness. Crowds thronged the narrow
road; but not a sound of discord, not a word uttered in menace or in
defiance, escaped from the lips of a single individual; all were
tranquil, orderly, and well conducted; the sole aim of each was
amusement; and this great eastern mob, amounting to between forty and
fifty thousand persons, collected together from all the surrounding
country, from the heart of a great city, and from the shores of two
different quarters of the earth, appeared to act from one common
impulse, and to have one common interest.
It is questionable whether such a fact as this could be recorded of any
other country.
CHAPTER XXVI.
Repetition—The Esplanade—The Kiosk and the Pavilion—A Short
Cut—Dense Crowd—A Friend at Court—Curious _Coup d’Œil_—The
Arena—The Orchestra—First Act of the Comedy—Disgusting
Exhibition—The Birth of the Ballet—Dancing Boys—Second Act
of the Drama—Insult to the Turkish Women—The Provost
Marshal—Yusuf Pasha, the Traitor—Clemency of the
Sultan—Forbearance of an Oriental Mob—Renewal of the
Ballet—Last Act of the Drama—Theatrical
Decorations—Watch-dogs and Chinese—Procession of the
Trades—Frank Merchants—Thieves and Judges—Bedouin
Tumblers—Fondness of the Pashas for Dancing—The Wise Men of
the East.
It were worse than idle to follow the daily progress of the Fêtes. It
were but to weary the reader with repetitions, or to delude him with
fictions; for the same actors being engaged during the whole of the
festival, only varied their exhibitions sufficiently to emancipate
themselves from the reproach of actual repetition. So monotonous,
indeed, did I find the second representation I was induced to witness,
that I never ventured upon a third.
I have already mentioned that the Esplanade of the Grand Armoury had
been selected as one of the spots upon which the sports were to take
place; but I learnt from an individual who had possessed himself of the
important secret, that the principal performers were to exhibit on a
piece of land situated between the palace walls, and the kiosk in which
the Pashas did the honours to the dinner-guests of the Sultan, after the
termination of their repast; while a garden Pavilion, whose windows
opened upon this space, was to be tenanted by his Sublime Highness, his
Imperial daughters, the Sultana, their mother, and half a dozen of the
most favoured ladies of the harem, who, from the painted lattices, could
look forth upon the scene.
Public-domain text, read in full here on John Shaqi.
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