The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
The first arrival upon the scene was that of four ragged personages,
apparently intended to represent the street porters who ply for hire
about the quays and markets; and these interesting individuals sustained
a long and animated conversation, setting forth the dull condition of
the Queen of Cities, in which neither feast nor festival had been held
since the Baïram. Their lamentations at length attracted the attention
of a fifth loiterer of the same class, who, joining the group, gave a
new tone to the subject by announcing the approaching marriage of the
High and Peerless Princess Mihirmàh—the daughter of His Sublime
Highness Mahmoud the Powerful, the Emperor of the East, and Conqueror of
the World!
The intelligence was received with enthusiasm, and the new comer was
encouraged to proceed with his narration; in which he accordingly set
forth not only the beauties and virtues of the Imperial Bride, and the
high and endearing qualities of her affianced husband, but also gave a
_catalogue raisonné_ of all the sports and ceremonies which were to be
observed on the happy occasion of her nuptials; and it is only fair to
believe that he did so with some address, as a murmur of admiration ran
through the crowd who were devouring his discourse.
After asserting that the whole universe had been taxed to produce
novelties worthy of the illustrious event, he proposed to exhibit to his
companions an ingenious machine that had been imported from Europe, and
which was to be exhibited by a friend of his own. Hereupon, a sort of
buffoon was introduced, attended by two men, who fixed a swing with a
lattice seat between two slight wooden frames, which they were obliged
to support during the remainder of the scene.
One by one, the respectable worthies whom I have attempted to describe
were seated in the swing, and rocked gently backwards and forwards by
the proprietor of the show; and during this time an old Jew, with a long
white beard and tattered garments, followed by a deformed and hideous
dwarf, joined himself to the party, but at a sufficient distance to
indicate that he was conscious of his unworthiness to intrude upon their
notice.
A mischievous whim suddenly prompted the hilarious Mussulmauns to make
the quailing dwarf a party in their pastime, and they accordingly placed
him in the swing, and amused themselves for a time with his abortive
attempts to escape; but, wearying of the jest, they agreed to replace
him by his master; and, despite the prayers and terror of the hoary Jew,
they compelled him to occupy the crazy seat, which, failing beneath his
weight, precipitated him to the ground, where, falling upon his head, he
remained apparently lifeless.
At this period of the performance, half a score of the members of the
orchestra left their places, and walked demurely out of the ring, in
order to swell the crowd which shortly afterwards advanced to raise the
body of the murdered man, and convey him away to burial.
Public-domain text, read in full here on John Shaqi.
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