Directly I cast my eyes on the carriage, I had an excellent idea of that which the fairy godmother of Cinderella created for her favourite out of a pumpkin. Its form was that of a small covered waggon; its exterior was all crimson cloth, blue silk fringe, and tassels; and its inside precisely resembled a cake of gilt gingerbread. Four round looking-glasses, just sufficiently large to reflect the features, were impannelled on either side of the doors; and in the place of windows we had gilt lattices, so closely made that our position was the very reverse of cheerful; and, as I found it, moreover, quite impossible to breathe freely, these lattices were flung back despite the cold, and this arrangement being made, I established myself very comfortably on the satin cushions, with my feet doubled under me _à la Turque_, amid the piled-up luxuries of _duvet_ and embroidery. Our first visit was to the charshees, or, as Europeans for some inexplicable reason have the habit of calling them, the “bazars”—the word bazar literally signifying market—and, as the carriage rattled under the heavy portal, my first feeling was that of extreme disappointment. The great attraction of these establishments is undeniably their vast extent, for in _tenue_ and richness they are as inferior to our own miniature bazars in London as possible. Rudely paved—disagreeably dirty—plentifully furnished with _égouts_, of which both the sight and the scent are unpleasing—badly lighted—clumsily built—and so constructed as to afford no idea of the space they cover, until you have wandered through the whole of their mazes, your involuntary impression is one of wonder at the hyperboles which have been lavished on them by travellers, and the uncalled-for extacies of tour-writers. The charshees are like a little commercial town, roofed in; each street being appropriated to one particular trade or calling; and presenting relative degrees of attraction and luxury, from the diamond-merchant’s counter to the cushions of the shawl and fur-menders.