The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 1 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
With the double impulsion of honour and power among their own community,
and wealth and influence without, it will be readily understood that a
people constituted like the Fanariote Greeks pursue their purpose with a
tenacity that blinds them to all less absorbing considerations. Each
suffices to himself—he is his own world—and he centres all his
energies and exertions upon one point. In this fact exists the weakness
of the Greeks—they are too egotistical to be dangerous—they indulge
individual selfishness when they should exert themselves for the common
benefit of the community—the fruit is perished at the core, and it
consequently decays upon the surface—and, while they thus make war upon
each other, and fling the brand of jealousy upon the hearths of their
own race, they require no exterior force to crush them.
The three most conspicuous individuals now left among the Fanariote
Greeks are Vogorede, Logotheti, and Angiolopolo, each of whom is more or
less in the confidence of the Porte. The war between these talented and
ambitious men is literally a war of wits. The craft is with Vogorede,
the energy with Logotheti, and the tenacity of purpose with Angiolopolo.
The nature of each individual is written on his countenance—that of
Vogorede changes like the hue of the camelion; he is a man whose smile
is not mirth, nor approbation, nor enjoyment—his brow is narrow and
deeply interlined, less by time than by the workings of his spirit; his
eye is cold and quick, but it is the quickness which gives no token of
intelligence—the restlessness of suspicion.
The personal attributes of Logotheti are of a different character; his
glance is searching and fiery, his features mobile and expressive, and
his forehead high and strongly marked; and to these no more striking
contrast can be afforded than by the truly magnificent head of
Angiolopolo. There is not a vestige of passion, not a trace of anxiety,
nor care, nor emotion perceptible; his countenance is calm, benevolent,
and beautiful: his brow is singularly smooth for his age, and its
character of placidity has continued unchanged throughout a long life of
political exertion and excitement; while the white beard, which he wears
to the utmost length that is now permitted, (Sultan Mahmoud having
lately regulated this important point, and having even curtailed the
exuberance of that of one of his ministers with his own Imperial hands!)
gives him an air of patriarchal dignity in excellent keeping with his
strictly Oriental costume.
Public-domain text, read in full here on John Shaqi.
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