The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 2 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 2 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
I hesitated for an instant whether I should sketch the fountain, or
again lend to it for an instant the voice that it had lost. I decided on
the latter alternative—and, seating myself upon the edge of the basin,
I hastily scratched the following stanzas in my note-book.
THE DRIED-UP FOUNTAIN.
The emblem of a heart o’er-tried,
I stand amid the waste;
My sparkling source has long been dried;
And the worn pilgrim, to whose ear
My gushing stream was once so dear,
Passes me by in haste.
No wild bird dips its weary wing
In my pure waters now;
No blushing flowers in beauty spring,
Fed by the gentle dews, that erst
Taught each fair blossom how to burst
With a yet brighter glow.
The nightingale responds no more
Since my glad sound was hushed,
As she was wont to do of yore,
To the continuous flow, which oft,
When leaves were rife, and winds were soft,
Like her own music gushed.
Still wave the lime-boughs, whose sweet shade
Was o’er my waters cast,
When high in Heaven the sunbeams played;
But o’er my dried-up basin now
Vainly is spread each leafy bough;
It but recalls the past—
And thus the human heart no less,
In its young ardent years,
Pours forth its gushing tenderness
Freely, as though time could not fling
A gloom around each lovely thing,
And turn its smiles to tears.
And thus, like me, it too must prove
How soon the spell goes by;
How falsehood follows fast on love,
Treachery on trust, and guile on truth;
Until the heart, so full in youth,
In age is waste and dry.
Worn heart, and dried-up fount—for ye
The world is fair in vain;
Birds sing, boughs wave, and winds are free;
But song, nor shade, nor breath, can more
Your joyful gush of life restore—
It will not flow again!
A great stretch of road, after we had passed the exhausted fountain,
traversed another of those immense plains for which this part of the
country is celebrated. No monotony, however, renders them irksome to the
traveller; on the contrary, they are characteristic and various in the
extreme. Gigantic walnut trees, laden with fruit; fig trees, almost
bending beneath their own produce; little wildernesses of gum cistus,
carpeting the earth with their petals; woods of mulberry trees;
stretches of dwarf oak, with here and there timber of larger size
overtopping them; grass land, gay with tents, pitched for the
accommodation of those who guard the droves of horses grazing in their
vicinity; camels browzing on the young shoots of the forest trees; herds
of buffaloes, with their flat and crescent-shaped horns folding
backward, and their coarse and scantily-covered hides caked with the mud
in which they have been wallowing; and flocks of goats as wild and as
agile as the chamois, keep the eye and the imagination alike employed.
Public-domain text, read in full here on John Shaqi.
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