The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 2 (of 2)Pardoe, Miss (Julia)
History
The City of the Sultan; and Domestic Manners of the Turks, in 1836, Vol. 2 (of 2)
Pardoe, Miss (Julia)
Turkey -- Social life and customs
The infant lay upon a cushion of white satin, richly embroidered with
coloured silks, and trimmed like the sheet; and was itself a mass of
gold brocade and diamonds. But the young mother principally attracted my
attention. As I entered, she was flinging over her child a small
coverlet of crimson velvet, most gorgeously wrought with gold; and as
the sleeves of her striped silk antery and gauze chemisette fell back to
the elbow, her white and dimpled arms circled by bracelets of
brilliants, and her small hand glittering with jewelled rings, were
revealed in all their beauty. Her dark hair was braided in twenty or
thirty small plaits, that fell far below her waist, as she leant
against a cushion similar to that on which she had pillowed her infant.
Her throat was encircled by several rows of immense pearls, whence
depended a diamond star, resting upon her bosom; her chemisette was
delicately edged by a gold beading, and met at the bottom of her bust,
where her vest was confined by a costly shawl. Her head-dress, of blue
gauze worked with silver, was studded with diamond sprays, and
ornamented with a fringe of large gold coins, which fell upon her
shoulders, and almost concealed her brilliant earrings. Her satin antery
was of the most lively colours, and her salva were of pale pink silk,
sprinkled with silver spots. A glass vase of white lilies rested against
her pillow, and a fan of peacocks’ feathers, and a painted handkerchief,
lay beside her. Previously to her confinement, she had plucked out the
whole of her eyebrows, and had replaced them by two stripes of black
dye, raised about an inch higher upon the forehead. This is a common
habit with the Turkish women on great occasions; and they no where
display more coquetry or more decided bad taste than in the arrangement
of their eyebrows, which they paint in all kinds of fantastic shapes;
sometimes making them meet across the nose, and sometimes raising them
at the outer point to the temples! I have seen many a pretty woman
destroyed by this whim.
I was conducted with great ceremony to the sofa, when I had saluted the
Hanoum, and uttered my “Mashallah” as I leant over the infant; which,
poor little thing! was almost smothered in finery; and, having taken my
seat, I had time to contemplate the singular scene around me.
I have alluded elsewhere to the facility with which the working classes
of Turkey obtain access into the houses of the wealthy. On every
occasion of rejoicing, the door is open to all; it is the sofa only
which is sacred; but the poor share in all the enjoyments of the
festival; the coffee and sherbet is served to them, if not with the same
ceremony, at least with the same welcome, as to the prouder guests; they
listen to the music—they mingle in the conversation—they join in the
gaiety—and they are never made to feel that their lot is cast in a more
lowly rank than that of their entertainer.
Public-domain text, read in full here on John Shaqi.
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