The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
Elsewhere in Italy paid crimes were probably more or less frequent in
proportion to the number of powerful and solvent buyers. Impossible as
it is to make any statistical estimate of their amount, yet if only a
fraction of the deaths which public report attributed to violence were
really murders, the crime must have been terribly frequent. The worst
example of all was set by princes and governments, who without the
faintest scruple reckoned murder as one of the instruments of their
power. And this, without being in the same category with Cæsar Borgia.
The Sforzas, the Aragonese monarchs, the Republic of Venice,[1015] and
later on, the agents of Charles V. resorted to it whenever it suited
their purpose. The imagination of the people at last became so
accustomed to facts of this kind, that the death of any powerful man was
seldom or never attributed to natural causes.[1016] There were certainly
absurd notions current with regard to the effect of various poisons.
There may be some truth in the story of that terrible white powder used
by the Borgias, which did its work at the end of a definite period (p.
116), and it is possible that it was really a ‘velenum atterminatum’
which the Prince of Salerno handed to the Cardinal of Aragon, with the
words: ‘In a few days you will die, because your father, King Ferrante,
wished to trample upon us all.’[1017] But the poisoned letter which
Caterina Riario sent to Pope Alexander VI.[1018] would hardly have
caused his death even if he had read it; and when Alfonso the Great was
warned by his physicians not to read in the ‘Livy’ which Cosimo de’
Medici had presented to him, he told them with justice not to talk like
fools.[1019] Nor can that poison, with which the secretary of Piccinino
wished to anoint the sedan-chair of Pius II.,[1020] have affected any
other organ than the imagination. The proportion which mineral and
vegetable poisons bore to one another cannot be ascertained precisely.
The poison with which the painter Rosso Fiorentino destroyed himself
(1541) was evidently a powerful acid,[1021] which it would have been
impossible to administer to another person without his knowledge. The
secret use of weapons, especially of the dagger, in the service of
powerful individuals, was habitual in Milan, Naples, and other cities.
Indeed, among the crowds of armed retainers who were necessary for the
personal safety of the great, and who lived in idleness, it was natural
that outbreaks of this mania for blood should from time to time occur.
Many a deed of horror would never have been committed, had not the
master known that he needed but to give a sign to one or other of his
followers.
Public-domain text, read in full here on John Shaqi.
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