The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
Among the means used for the secret destruction of others--so far, that
is, as the intention goes--we find magic,[1022] practised, however,
sparingly. Where ‘maleficii,’ ‘malie,’ and so forth, are mentioned, they
appear rather as a means of heaping up additional terror on the head of
some hated enemy. At the courts of France and England in the fourteenth
and fifteenth centuries, magic, practised with a view to the death of an
opponent, plays a far more important part in Italy.
In this country, finally, where individuality of every sort attained its
highest development, we find instances of that ideal and absolute
wickedness which delights in crimes for their own sake, and not as means
to an end, or at any rate as means to ends for which our psychology has
no measure.
Among these appalling figures we may first notice certain of the
‘Condottieri,’[1023] such as Braccio di Montone, Tiberto Brandolino, and
that Werner von Urslingen whose silver hauberk bore the inscription:
‘The enemy of God, of pity and of mercy.’ This class of men offers us
some of the earliest instances of criminals deliberately repudiating
every moral restraint. Yet we shall be more reserved in our judgment of
them when we remember that the worst part of their guilt--in the
estimate of those who record it--lay in their defiance of spiritual
threats and penalties, and that to this fact is due that air of horror
with which they are represented as surrounded. In the case of Braccio,
the hatred of the Church went so far that he was infuriated at the sight
of monks at their psalms, and had thrown them down from the top of a
tower;[1024] but at the same time ‘he was loyal to his soldiers and a
great general.’ As a rule, the crimes of the ‘Condottieri’ were
committed for the sake of some definite advantage, and must be
attributed to a position in which men could not fail to be demoralised.
Even their apparently gratuitous cruelty had commonly a purpose, if it
were only to strike terror. The barbarities of the House of Aragon, as
we have seen, were mainly due to fear and to the desire for vengeance.
The thirst for blood on its own account, the devilish delight in
destruction, is most clearly exemplified in the case of the Spaniard
Cæsar Borgia, whose cruelties were certainly out of all proportion to
the end which he had in view (p. 114 sqq.). In Sigismondo Malatesta,
tyrant of Rimini (pp. 32, 228), the same disinterested love of evil may
also be detected. It is not only the Court of Rome,[1025] but the
verdict of history, which convicts him of murder, rape, adultery,
incest, sacrilege, perjury and treason, committed not once but often.
The most shocking crime of all--the unnatural attempt on his own son
Roberto, who frustrated it with his drawn dagger,[1026]--may have been
the result, not merely of moral corruption, but perhaps of some magical
or astrological superstition. The same conjecture has been made to
account for the rape of the Bishop of Fano[1027] by Pierluigi Farnese of
Public-domain text, read in full here on John Shaqi.
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