The Civilisation of the Renaissance in ItalyBurckhardt, Jacob
History
The Civilisation of the Renaissance in Italy
Burckhardt, Jacob
Italy -- Civilization; Renaissance -- Italy
Parma, son of Paul III.
If we now attempt to sum up the principal features in the Italian
character of that time, as we know it from a study of the life of the
upper classes, we shall obtain something like the following result. The
fundamental vice of this character was at the same time a condition of
its greatness, namely, excessive individualism. The individual first
inwardly casts off the authority of a state which, as a fact, is in
most cases tyrannical and illegitimate, and what he thinks and does is,
rightly or wrongly, now called treason. The sight of victorious egoism
in others drives him to defend his own right by his own arm. And, while
thinking to restore his inward equilibrium, he falls, through the
vengeance which he executes, into the hands of the powers of darkness.
His love, too, turns mostly for satisfaction to another individuality
equally developed, namely, to his neighbour’s wife. In face of all
objective facts, of laws and restraints of whatever kind, he retains the
feeling of his own sovereignty, and in each single instance forms his
decision independently, according as honour or interest, passion or
calculation, revenge or renunciation, gain the upper hand in his own
mind.
If therefore egoism in its wider as well as narrower sense is the root
and fountain of all evil, the more highly developed Italian was for this
reason more inclined to wickedness than the member of other nations of
that time.
But this individual development did not come upon him through any fault
of his own, but rather through an historical necessity. It did not come
upon him alone, but also, and chiefly by means of Italian culture, upon
the other nations of Europe, and has constituted since then the higher
atmosphere which they breathe. In itself it is neither good nor bad, but
necessary; within it has grown up a modern standard of good and evil--a
sense of moral responsibility--which is essentially different from that
which was familiar to the Middle Ages.
But the Italian of the Renaissance had to bear the first mighty surging
of a new age. Through his gifts and his passions, he has become the most
characteristic representative of all the heights and all the depths of
his time. By the side of profound corruption appeared human
personalities of the noblest harmony, and an artistic splendour which
shed upon the life of man a lustre which neither antiquity nor
mediævalism either could or would bestow upon it.
CHAPTER II.
RELIGION IN DAILY LIFE.
Public-domain text, read in full here on John Shaqi.
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