Whether she has children or not, the principal wife--the only wife, in
fact--never loses her supremacy as the head of the household. The late
Empress Dowager was originally a concubine; by virtue of motherhood she
was raised to the rank of Western Empress, but never legitimately took
precedence of the wife, whose superiority was indicated by her title
of Eastern Empress, the east being more honourable than the west. The
emperor always sits with his face towards the south.
The story of Sung Hung, a statesman who flourished about the time of the
Christian era, pleasantly illustrates a chivalrous side of the Chinese
character. This man raised himself from a humble station in life to be a
minister of state, and was subsequently ennobled as marquis. The emperor
then wished him to put away his wife, who was a woman of the people, and
marry a princess; to which he nobly replied: "Sire, the partner of my
porridge days shall never go down from my hall."
Of the miseries of exile from the ancestral home, lurid pictures have
been drawn by many poets and others. One man, ordered from some soft
southern climate to a post in the colder north, will complain that the
spring with its flowers is too late in arriving; another "cannot stand
the water and earth," by which is meant that the climate does not agree
with him; a third is satisfied with his surroundings, but is still a
constant sufferer from home-sickness. Such a one was the poet who wrote
the following lines:--
Away to the east lie fair forests of trees,
From the flowers on the west comes a scent-laden breeze,
Yet my eyes daily turn to my far-away home,
Beyond the broad river, its waves and its foam.
And such, too, is the note of innumerable songs in exile, written for
the most part by officials stationed in distant parts of the empire;
sometimes by exiles in a harsher sense, namely, those persons who have
been banished to the frontier for disaffection, maladministration
of government, and like offences. A bright particular gem in Chinese
literature, referring to love of home, was the work of a young poet who
received an appointment as magistrate, but threw it up after a tenure of
only eighty-three days, declaring that he could not "crook the hinges of
his back for five pecks of rice a day," that being the regulation pay
of his office. It was written to celebrate his own return, and runs as
follows:--
"Homewards I bend my steps. My fields, my gardens, are choked with
weeds: should I not go? My soul has led a bondsman's life: why should I
remain to pine? But I will waste no grief upon the past: I will devote
my energies to the future. I have not wandered far astray. I feel that I
am on the right track once again.
Public-domain text, read in full here on John Shaqi.
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