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[Illustration: "THEN IT'S ALL LIES! LIES AND MURDER!"]
THE CLARION
BY
SAMUEL HOPKINS ADAMS
WITH ILLUSTRATIONS BY W.D. STEVENS
_Published October 1914_
TO THE MEMORY OF MY FATHER MYRON ADAMS WHO LIVED AND DIED A SOLDIER OF
IDEALS THIS BOOK IS REVERENTLY INSCRIBED
CONTENTS
I. THE ITINERANT
II. OUR LEADING CITIZEN
III. ESME
IV. THE SHOP
V. THE SCION
VI. LAUNCHED
VII. THE OWNER
VIII. A PARTNERSHIP
IX. GLIMMERINGS
X. IN THE WAY OF TRADE
XI. THE INITIATE
XII. THE THIN EDGE
XIII. NEW BLOOD
XIV. THE ROOKERIES
XV. JUGGERNAUT
XVI. THE STRATEGIST
XVII. REPRISALS
XVIII. MILLY
XIX. DONNYBROOK
XX. THE LESSER TEMPTING
XXI. THE POWER OF PRINT
XXII. PATRIOTS
XXIII. CREEPING FLAME
XXIV. A FAILURE IN TACTICS
XXV. STERN LOGIC
XXVI. THE PARTING
XXVII. THE GREATER TEMPTING
XXVIII. "WHOSE BREAD I EAT"
XXIX. CERTINA CHARLEY
XXX. ILLUMINATION
XXXI. THE VOICE OF THE PROPHET
XXXII. THE WARNING
XXXIII. THE GOOD FIGHT
XXXIV. VOX POPULI
XXXV. TEMPERED METAL
XXXVI. THE VICTORY
XXXVII. MCGUIRE ELLIS WAKES UP
XXXVIII. THE CONVERT
ILLUSTRATIONS
"THEN IT'S ALL LIES! LIES AND MURDER!"
HELP AND CURE ARE AT THEIR BECK AND CALL
"KILL IT," SHE URGED SOFTLY
"DON'T GO NEAR HIM. DON'T LOOK"
THE CLARION
CHAPTER I
THE ITINERANT
Between two flames the man stood, overlooking the crowd. A soft breeze,
playing about the torches, sent shadows billowing across the massed folk
on the ground. Shrewdly set with an eye to theatrical effect, these
phares of a night threw out from the darkness the square bulk of the
man's figure, and, reflecting garishly upward from the naked hemlock of
the platform, accentuated, as in bronze, the bosses of the face, and
gleamed deeply in the dark, bold eyes. Half of Marysville buzzed and
chattered in the park-space below, together with many representatives of
the farming country near by, for the event had been advertised with
skilled appeal: cf. the "Canoga County Palladium," April 15, 1897, page
4.
The occupant of the platform, having paused, after a self-introductory
trumpeting of professional claims, was slowly and with an eye to
oratorical effect moistening lips and throat from a goblet at his elbow.
Now, ready to resume, he raised a slow hand in an indescribable gesture
of mingled command and benevolence. The clamor subsided to a murmur,
over which his voice flowed and spread like oil subduing vexed waters.
Public-domain text, read in full here on John Shaqi.
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