The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
Meanwhile, the mountain Cithæron seemed alive with worshipers, and the
cries of the Bacchanals resounded on every side. Pentheus, angered by
the noise, penetrated through the wood and reached an open space where
the chief scene of the orgies met his eyes. At the same moment the
women saw him, among them his mother Agave, and Autonoë and Ino, her
sisters. Taking him for a wild boar, they rushed upon him and tore him
to pieces,--his mother shouting, "Victory! Victory! the glory is ours!"
So the worship of Bacchus was established in Greece.
It was on the island of Naxos that Bacchus afterward found Ariadne, the
daughter of Minos, king of Crete, who had been deserted by her lover,
Theseus. How Bacchus comforted her is related in another section. How
the god himself is worshiped is told by Edmund Gosse in the poem from
which the following extracts are taken:
[Illustration: FIG. 86. BACCHIC PROCESSION]
Behold, behold! the granite gates unclose,
And down the vales a lyric people flows;
Dancing to music, in their dance they fling
Their frantic robes to every wind that blows,
And deathless praises to the vine-god sing.
Nearer they press, and nearer still in sight,
Still dancing blithely in a seemly choir;
Tossing on high the symbol of their rite,
The cone-tipped thyrsus of a god's desire;
Nearer they come, tall damsels flushed and fair,
With ivy circling their abundant hair;
Onward, with even pace, in stately rows,
With eye that flashes, and with cheek that glows,
And all the while their tribute-songs they bring,
And newer glories of the past disclose,
And deathless praises to the vine-god sing.
... But oh! within the heart of this great flight,
Whose ivory arms hold up the golden lyre?
What form is this of more than mortal height?
What matchless beauty, what inspirèd ire!
The brindled panthers know the prize they bear,
And harmonize their steps with stately care;
Bent to the morning, like a living rose,
The immortal splendor of his face he shows,
And where he glances, leaf and flower and wing
Tremble with rapture, stirred in their repose,
And deathless praises to the vine-god sing....[148]
[Illustration: FIG. 87. DIONYSUS VISITING A POET]
Public-domain text, read in full here on John Shaqi.
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