The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
=113. The Choice of King Midas.=[149] Once Silenus, having wandered
from the company of Bacchus in an intoxicated condition, was found by
some peasants, who carried him to their king, Midas. Midas entertained
him royally and on the eleventh day restored him in safety to his
divine pupil. Whereupon Bacchus offered Midas his choice of a reward.
The king asked that whatever he might touch should be changed into
gold. Bacchus consented. Midas hastened to put his new-acquired power
to the test. A twig of an oak, which he plucked from the branch, became
gold in his hand. He took up a stone; it changed to gold. He touched
a sod with the same result. He took an apple from the tree; you would
have thought he had robbed the garden of the Hesperides. He ordered
his servants, then, to set an excellent meal on the table. But, to his
dismay, when he touched bread, it hardened in his hand; when he put a
morsel to his lips, it defied his teeth. He took a glass of wine, but
it flowed down his throat like melted gold.
He strove to divest himself of his power; he hated the gift he had
lately coveted. He raised his arms, all shining with gold, in prayer
to Bacchus, begging to be delivered from this glittering destruction.
The merciful deity heard and sent him to wash away his fault and its
punishment in the fountainhead of the river Pactolus. Scarce had Midas
touched the waters, before the gold-creating power passed into them,
and the river sands became golden, as they remain to this day.
Thenceforth Midas, hating wealth and splendor, dwelt in the country and
became a worshiper of Pan, the god of the fields. But that he had not
gained common sense is shown by the decision that he delivered somewhat
later in favor of Pan's superiority, as a musician, over Apollo.[150]
FOOTNOTES:
[145] § 60.
[146] Ovid, Metam. 3, 511-733.
[147] Longfellow, Drinking Song.
[148] From The Praise of Dionysus.
[149] Ovid, Metam. 11, 85-145.
[150] See § 85.
[Illustration: FIG. 88. RAPE OF PROSERPINA]
CHAPTER IX
FROM THE EARTH TO THE UNDERWORLD
=114. Myths of Ceres, Pluto, and Proserpine.= The search of Ceres for
Proserpine, and of Orpheus for Eurydice, are stories pertaining both to
Earth and Hades.
Public-domain text, read in full here on John Shaqi.
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