The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)Bulfinch, Thomas
Philosophy
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
Bulfinch, Thomas
English poetry; Mythology, Classical; Mythology, Norse
In view of this consideration, the Academic Council of the University
of California, some twenty years ago, introduced into its requirements
for entrance in English the subject of Classical Mythology in its
relation to English Literature, and recommended, as a textbook for
preparation, Bulfinch's "Age of Fable." The experience of English and
classical teachers in the schools of the state attested the wisdom of
the requirement; but the demand for some textbook adapted to the needs
of the classroom made necessary the preparation of this volume. For
while "The Age of Fable" offered a tempting collection of Greek, Norse,
and Oriental narratives, it was designed neither as a schoolbook nor as
a systematized presentation and interpretation of the myths that have
most influenced English literature.
At the request of my publishers I undertook at that time such a
revision and rearrangement of the materials of "The Age of Fable" as
might adapt it to the purposes of teacher and pupil, and to the taste
of readers somewhat more advanced in years than those addressed by the
original work or by the edition which bore the name of the Reverend
Edward Everett Hale. But after a year's work I found that half my
material for copy was new, and that the remainder differed in many
important respects from the book upon which it was based. Consequently,
while the obligation to "The Age of Fable" was acknowledged in full,
a different title was selected for the resulting volume. For neither
my publishers nor I desired that the scholarship or the taste of Mr.
Bulfinch should be held accountable for liberties that were taken with
his work.
Public-domain text, read in full here on John Shaqi.
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