EXCEPTING to the trade, and to some of the old inhabitants, it is not generally known that Martin Randall established China Works at Madeley, and made porcelain similar to that of Nantgarw and little if at all inferior to old Sevres porcelain. He and his brother Edward were Caughley men; he left there to go to Derby. He afterwards went to Pinxton, and thence with Mr. Robins, a Pinxton man, to London, where they entered into partnership and carried on business. They were supplied with Nantgarw white china by Mr. Mortlock, till Mr. Rose cut off the supply from the Welsh Works, by engaging Billingsley and Walker to make it for himself alone at the Coalport Works. They still continued to carry on business at Islington, where they erected buildings suitable, and fired the ware in box kilns with charcoal. About this time the demand was great with connoisseurs among the aristocracy for old Sevres china; and the London dealers, finding that it was not obtainable in sufficient quantities to meet the demand for highly decorated specimens, hit upon the expedient of employing agents in Paris to buy up Sevres china in white for the purpose of having it painted in London, as Nantgarw had been, and selling it to their customers as the bona fide productions of Sevres. Slightly painted patterns too were procured, and the colours got off with fluoric acid, and rich and expensive paintings, grounds, and gilding substituted. About the year 1826 they dissolved partnership and Mr. Randall came to Madeley, where he occupied a house in Park Lane, now the residence of the Wesleyan minister. He then took more commodious premises at the lower end of Madeley, where he erected enamelling, biscuit, and other kilns, and made and finished his own ware. Thomas Wheeler, William Roberts, and F. Brewer, were his potters; Philip Ballard, Robert Grey, and the present writer, were painters there, and Enos Raby was ground layer. John Fox of Coalbrookdale, William Dorsett, of Madeley, also were with Mr. Randall for a short time. Not having had experience in the making of china, great mistaken were committed, and heavy losses sustained. We have known a biscuit kiln fired till tea-pots and cups and saucers were melted into a mass before a trial was drawn, crow bars being necessary to remove them; in some instances they assumed the most fantastic forms. At other times the ware would be short fired in the biscuit kiln and would take up so much glaze that on coming out of the glaze kiln it would fly off in splinters. These wastrels were buried, broken up, or thrown into the canal, to be out of sight.