The road soon runs into a swamp, and I stop on the bridge. Swamp
sparrows are trilling on either side of me--a spontaneous, effortless
kind of music, like water running down-hill. A phœbe chides me gently;
passengers are expected to use the bridge to cross the brook upon,
she intimates, not as a lounging-place, especially as her nest is
underneath. Yellow bladderworts lift their pretty hoods above the
slimy, black water, and among them lies a turtle, thrusting his head
out to enjoy the sun. Once I see him raise a foreclaw and scratch the
underside of his neck. The most sluggish and cold-blooded animal that
ever lived must now and then be taken with an itching, I suppose.
Beyond the bridge the woods are full of white azalea (they are full
of it _now_, that is to say, so long as the bushes are in blossom),
but I listen in vain for the song of a Canadian warbler, whom I know
to be living somewhere in its shadow. A chickadee, looking as if she
had been through the wars, her plumage all blackened and bedraggled,
makes remarks to me as I pass. The cares of maternity have spoiled her
beauty, and perhaps ruffled her temper, for the time being. A veery
snarls, and a thrasher’s resonant kiss makes me smile. If he knew it,
he would smile in his turn, perhaps, at my “pathetic fallacy.” The
absence of music here, just where I expected it most confidently,
is disappointing, but I do not stay to grieve over the loss. As the
road climbs to dry ground again, I remark how close to its edge the
rabbit-foot clover is growing. It is at its prettiest now, the grayish
green heads tipped with pink. If it were as uncommon as the yellow
bedstraw, perhaps I should think it quite as beautiful. I have known
it since I have known anything (“pussies,” we called it), but I never
dreamed of its being a clover till I began to use a botany book. All
the way along I notice how it cleaves to the very edge of the track.
“Let me have the poorest place,” it says. And it thrives there. Such is
the inheritance of the meek.
Here in the pine woods a black-throated green warbler is dreaming
audibly, and, better still, a solitary vireo, the only one I have heard
for a month or more, sings a few strains, with that sweet, falling
cadence of which he alone has the secret. From a bushy tract, where
fire has blackened everything, a chewink speaks his name, and then
falls to repeating a peculiarly jaunty variation of the family tune.
Dignity is hardly the chewink’s strong point. Now a field sparrow gives
out a measure. There is an artist! Few can excel him, though many can
make more show. Like the vesper sparrow, he has a gift of sweet and
holy simplicity. And what can be better than that? Overhead, hurrying
with might and main toward the woods, flies a crow, with four kingbirds
after him. Perhaps he suffers for his own misdeeds; perhaps for those
of his race. All crows look alike to kingbirds, I suspect.
Public-domain text, read in full here on John Shaqi.
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