The pitch-pines are no longer at their best estate. They are brightest when we need their brightness most, in late winter and early spring. This year, at least, the summer sun has faded them badly; but their fragrance is like an elixir. It is one of the glories of pine needles, one of the things in which they excel the rest of us, that they smell sweet, not “in the dust” exactly, but after they are dead. A nuthatch in one of the trees calls “Tut, tut, tut,” and is so near me that I hear his claws scratching over the dry bark. A busy and cheerful body. Just beyond him a scarlet tanager is posed on a low, leafless twig. Like the pine leaves, he looks out of condition. I am sure I have seen brighter ones. He is silent, but his mate, somewhere in the oak branches over my head, keeps up an emphatic _chip-cherr, chip-cherr_. Yes, I see her now, and the red one has gone up to perch at her side. She cocks her head, looking at me first out of one eye and then out of the other, and repeats the operation two or three times, like a puzzled microscopist squinting at a doubtful specimen; and all the while she continues to call, though I know nothing of what she means. Once her mate approaches too near, and she opens her bill at him in silence. He understands the sign and keeps his distance. I admire his spirit. It is better than taking a city. The earliest of the yellow gerardias is in bloom, and a pretty desmodium, also (_D. nudiflorum_), with a loose raceme of small pink flowers, like miniature sweet-pea blossoms, on a slender leafless stalk. These are in the wood, amidst the underbrush. As I come out into a dry, grassy field I find the meadow-beauty; an odd creature, with a tangle of long stamens; bright-colored, showy in its intention, so to speak, but rather curious than beautiful, in spite of its name; especially because the petals have not the grace to fall when they are done, but hang, withered and discolored, to spoil the grace of later comers. The prettiest thing about it all, after the freshly opened first flower, is the urn-shaped capsule. That, to me, is of really classic elegance. Now I have crossed the road and am seated on a chestnut stump, with my back against a tree, on the edge of a broad, rolling, closely cropped cattle pasture, a piece of genuine New England. Scattered loosely over it are young, straight, slender-waisted, shoulder-high cedars, and on my right hand is a big patch of hardhack, growing in tufts of a dozen stalks each, every one tipped with an arrow-head of pink blossoms. The whole pasture is full of sunshine. Down at the lower end is a long, narrow, irregular-shaped pond. I cannot see it because of a natural hedge against the fence-row on my left; but somehow the landscape takes an added beauty from the water’s presence. The truth is, perhaps, that I do see it.