“DOWN AT THE STORE” 194
BIRDS AT THE WINDOW 203
A GOOD-BY TO WINTER 212
BIRD SONGS AND BIRD TALK 219
CHIPMUNKS, BLUEBIRDS, AND ROBINS 226
MARCH SWALLOWS 233
WOODCOCK VESPERS 242
UNDER APRIL CLOUDS 250
FLYING SQUIRRELS AND SPADE-FOOT FROGS 258
THE WARBLERS ARE COMING 267
INDEX 275
THE CLERK OF THE WOODS
THE CLERK OF THE WOODS
A SHORT MONTH
May is the shortest month in the year. February is at least twice as
long. For a month is like a movement of a symphony; and when we speak
of the length of a piece of music we are not thinking of the number of
notes in it, but of the time it takes to play them. May is a scherzo,
and goes like the wind. Yesterday it was just beginning, and to-day it
is almost done. “If we could only hold it back!” an outdoor friend of
mine used to say. And I say so, too. At the most generous calculation I
cannot have more than a hundred more of such months to hope for, and I
wish the Master’s _baton_ would not hurry the _tempo_. But who knows?
Perhaps there will be another series of concerts, in a better music
hall.
The world hereabout will never be more beautiful than it was eight or
ten days ago, with the sugar maples and the Norway maples in bloom and
the tall valley willows in young yellow-green leaf. And now forsythia
is having its turn. How thick it is! I should not have believed it half
so common. Every dooryard is bright with its sunny splendor. “Sunshine
bush,” it deserves to be called, with no thought of disrespect for Mr.
Forsyth, whoever he may have been. I look at the show while it lasts.
In a week or two the bushes will all have gone out of commission, so
to speak, till the year comes round again. Shrubs are much in the case
of men and women; the amount of attention they receive depends mainly
on the dress they happen to have on at the moment. In my next-door
neighbor’s yard there is a forsythia bush, not exceptionally large or
handsome, that gives me as much pleasure as one of those wonderful
tulip beds of which the Boston city gardeners make so much account.
Are a million tulips, all of one color, crowded tightly together and
bordered by a row of other tulips, all of another color, really so much
more beautiful than a hundred or two, of various tints, loosely and
naturally disposed? I ask the question without answering it, though I
could answer it easily enough, so far as my own taste is concerned.
Public-domain text, read in full here on John Shaqi.
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