For the afternoon I have chosen a road that might have been made on
purpose for the man and the day. It is short (two miles, or a little
more, will bring me to the end of it), it starts directly from the
door, with no preliminary plodding through dusty village streets,
and it is not a thoroughfare, so that I am sure to meet nobody, or
next to nobody, the whole afternoon long. At any rate, no wagon
loads of staring “excursionists” will disturb my meditations. It is
substantially level, also; and once more (for a man cannot think of
everything at once) it is wooded on one side and open to the afternoon
sun on the other. For the present occasion, furthermore, it is perhaps
a point in its favor that it does not distract me with mountain
prospects. Mountains are not for all moods; there are many other
things worth looking at. Here, at this minute, as I come up a slope, I
face halfway about to admire a stretch of Gale River, a hundred feet
below, flowing straight toward me, the water of a steely blue, so far
away that it appears to be motionless, and so little in volume that
even the smaller boulders are no more than half covered. Beyond it
the hillside woods are gorgeously arrayed--pale green, with reds and
yellows of all degrees of brilliancy. The glory of autumn is nearly at
the full, and at every step the panorama shifts. As for the day, it
continues perfect, deliciously cool in the shade, deliciously warm in
the sun, with the wind northwesterly and light. Many yellow butterflies
are flitting about, and once a bright red angle-wing alights in the
road and spreads itself carefully to the sun. While I am looking at
it, sympathizing with its comfort, I notice also a shining dark blue
beetle--an oil-beetle, I believe it is called--as handsome as a jewel,
traveling slowly over the sand.
I have been up this way so frequently of late that the individual trees
are beginning to seem like old friends. It would not take much to make
me believe that the acquaintance is mutual. “Here he is again,” I fancy
them saying one to another as I round a turn. Some of them are true
philosophers, or their looks belie them. Just now they are all silent.
Even the poplars cannot talk, it appears (a most worthy example),
without a breath of inspiration to set them going. The stillness is
eloquent. A day like this is the crown of the year. It is worth a
year’s life to enjoy it. There is much to see, but best of all is the
comfort that wraps us round and the peace that seems to brood over the
world. If the first day was of this quality, we need not wonder that
the maker of it took an artist’s pride in his work and pronounced it
good.
Public-domain text, read in full here on John Shaqi.
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